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- Το πίσω μέρος του έργου / Πλευρά της δουλειάς
- Λεπτομέρειες / Υπογραφή / επιφάνεια ή υφή του έργου τέχνης
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Intensive blues by Israeli artist Mirit Ben-Nun (2008) Ζωγραφική από Mirit Ben-Nun
Πωλείται από το Mirit Ben-Nun
Αυτή η εικόνα είναι διαθέσιμη για λήψη με άδεια χρήσης
Πωλείται από το Mirit Ben-Nun
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Αυθεντικά έργα τέχνης
Ζωγραφική,
Ακρυλικό
στο Καμβάς
- Διαστάσεις Ύψος 35,4in, Πλάτος 35,4in
- Κατηγορίες Αφηρημένη
These paintings express a personal need to delineate images and fantasies abundant with color and emotional explosion. Signs, lines and the materials appear of their own volition and develop as an external language bridging the eye, the hand and the painted surface.During the making of a painting the power of the shapes emanate from an unconscious and concealed inner dimension.
Line by line, painting after painting while repeating shapes and patterns, a creation evolves into new shapes and patterns. With a determination that reaches obsession, Mirit Ben-Nun keeps on returning to her art of meticulous decoration. A strong presence of primitive ornamentation provides the artwork with a tribal facet on one hand and a feminine touch on the other, encompassing embroidery, bead threading and weaving among others.
Ben- Nun’s beautifying urge carries within it an archetypal strata, mythic at times, which empowers her authentic expression.
Dr. Gidion Ofrat and Ami Steinitz
Σχετικά θέματα
She brought the acrylic into her world of lines and dots; she went back to painting women and masks that appeared in her childhood paintings and flooded them with lines and dots without separating body and background.
This is also the moment when Ben-Nun began to refer to herself as a painter.
and when art became the center of her life.
The intense colors in Ben-Nun's paintings sweep the viewer into a sensual experience. The viewer traces the surge of dots and lines formed in packed layers of paint. The movement leads to a kind of female-male hormonal dance within the human body and to a communion with an artistic experience of instinct, passion, conceiving and birth.
Contributing to this experience is the wealth of characteristics reminiscent of tribal art. Ben-Nun merges these with a humorous and kicking contemporary Western Pop art. In the language of unique art, Ben-Nun creates an unconventional conversation between past and present cultures.
It is evident that the paintings emerge from a regenerated need and desire, a force that erupts from her soul, a subconscious survival instinct to which she cannot or does not want to resist.
Ben-Nun places women at the center stage where they are her work focus. The paintings obsessively deal with the existential experience of being a woman in the world. A few of the women's paintings carry feminist slogans stressing the women's struggle in society, a critique for being held to perfection and being required to perform as a model of "beauty, purity and motherhood". Feminism pulsates in Ben-Nun's psyche, through her diverse female images and the play between beauty and unsightliness; Ben-Nun assimilates the consciousness of feminine possibility, of not being "perfect", of being powerful, influential, and outside social norms. This mandates a departure from acceptable limitations where Ben-Nun creates a new world of free spirit for women.
Mirit Ben-Nun is a mother of three and the grandmother of three grandchildren.
Mirela Tal
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Ιθαγένεια:
ΙΣΡΑΉΛ
- Ημερομηνία γεννήσεως : άγνωστη ημερομηνία
- καλλιτεχνική τομείς:
- Ομάδες: Σύγχρονοι Ισραηλινοί Καλλιτέχνες
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