Procession of the Worker Drones (2021) Digital Arts από Susan Maxwell Schmidt

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Πωλείται από το Susan Maxwell Schmidt

  • Αυτή η εργασία είναι "Open Edition" Digital Arts, Giclée Print / Ψηφιακή εκτύπωση
  • Διαστάσεις Διάφορα διαθέσιμα μεγέθη
  • Διάφορες διαθέσιμες υποστηρίξεις (Καλό χαρτί τέχνης, Εκτύπωση σε μέταλλο, Εκτύπωση σε καμβά)
  • Framing Διαθέσιμο πλαίσιο (Πλωτό πλαίσιο + κάτω από γυαλί, Πλαίσιο + κάτω από ακρυλικό γυαλί)
  • κατάσταση του έργου τέχνης Το έργο τέχνης είναι σε άριστη κατάσταση
  • Κατηγορίες Εξπρεσιονισμός Παγκόσμιου Πολιτισμού
A digital oil painting depicting a throng of people marching to work where they will toil for hours, earning a paltry wage, for the sole purpose of making the filthy rich CEO even richer and filthier. The worker drones are illustrated in gray tones with undefined features to represent the faceless masses unrecognizable to power, as they trudge through[...]
A digital oil painting depicting a throng of people marching to work where they will toil for hours, earning a paltry wage, for the sole purpose of making the filthy rich CEO even richer and filthier. The worker drones are illustrated in gray tones with undefined features to represent the faceless masses unrecognizable to power, as they trudge through the fiery brilliant colors representing the flourishing industrial complex and corporate greed that surrounds them.

Corporations aren't people. Corporations consume people for their own gain.

Σχετικά θέματα

PeopleMenWomenCorporate GreedAmerican

Αυτόματη μετάφραση
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My mind lives in a rather strange world of its own, in a state which I tend to refer to as "delightfully twisted." Through my art, which I am vehemently determined to continue to create with as little[...]

My mind lives in a rather strange world of its own, in a state which I tend to refer to as "delightfully twisted." Through my art, which I am vehemently determined to continue to create with as little outside influence as possible, I work tirelessly to interpret the concepts my mind creates in a moment-by-moment barrage of ideas that always seem to come faster than I can realize them in a tangible form. Though my artwork over the past 40 years has evolved from my early days of shooting on film to manifesting itself in many different forms of more contemporary media, from the delicate transparency of digital watercolor, to the no-holds-barred starkness of noir digital photography, to even the fanciful abstract-turned-conceptual properties of my mathematics-based fractal art, the undercurrent that binds them all is my life-long love of surrealism. I prefer the surrealist worlds my mind creates to the one in which we all inhabit, and though I create all my art to please only myself as a rule, absolutely nothing thrills me more than when it speaks to someone else as it does me.

My art has appeared in SLAM Magazine, Garden Tripod and Best of Creatocracy, and graced the cover of British group River City Portrait's digital music single "Paralysed." I was honored as the best artist to represent Pennsylvania in 50 States of Art 2015.

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