Garden View 37 (2020) Digital Arts από Kenneth Grzesik

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  • Αυθεντικά έργα τέχνης Digital Arts, 2D ψηφιακή εργασία / Ψηφιακή ζωγραφική / Φωτογραφία Μοντάζ
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  • Κατηγορίες Αφηρημένη
When making the image there was this idea. It was an attempt to entice the viewer enough to become calm and open to relaxation of the mind and body. It seems like a good place to set one's focus. Subject, color and composition are designed to work in harmony to set the mood. The viewer is free to engage life on a positive level. Life is enhanced.[...]
When making the image there was this idea. It was an attempt to entice the viewer enough to become calm and open to relaxation of the mind and body. It seems like a good place to set one's focus. Subject, color and composition are designed to work in harmony to set the mood. The viewer is free to engage life on a positive level. Life is enhanced. The artwork is a visual encapsulation blending the ideal with the real in a way that alludes to balance.The position taken is to discover the ways of nature by visualizing them in an aesthetic way.

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Digital AbstractSeriesFloralGeometryCircles

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Degrees: B.F.A., Northern Illinois University, DeKalb, 1974 M.A., Northern Illinois University, DeKalb, 1977 C.C. Photoshop/Illustrator, Lake Washington Technical College, 2008, President's[...]

Degrees:
B.F.A., Northern Illinois University, DeKalb, 1974
M.A., Northern Illinois University, DeKalb, 1977
C.C. Photoshop/Illustrator, Lake Washington Technical College, 2008, President's List for Academic Achievement

My imagery is built around a concept. After a central idea is established I explore possibilities within a set of creative and aesthetic parameters. From my perspective visual art is idea, expression, experience and process fused to create a perceptual synergy.
Nature has always played an important role in my art. In the late seventies and early eighties it was the focal point of several commissioned installations in Seattle and Chicago. During the next two decades or so landscape painting and drawing were my primary areas of interest. The work was exhibited in minor venues in Washington and Hawaii.
It was in 2005 when I bought my first computer and digital camera. The initial attraction was the speed that imagery could be produced. It was exciting to work at the speed of idea where the time span between concept and image was short. What followed has been a nonstop process of photography and editing. Presented here is an assortment of images that are a visual record of that activity.

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