Μίσθωση του έργου " The Duality Of Strength And Vulnerabilit " από τον Tashfeen Rizwan με επιλογή αγοράς
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What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on ArtMajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.
The Duality of Strength and Vulnerability: An Abstract Cubis (2021)
Ζωγραφική από Tashfeen Rizwan - 11,8x8,3 in
Σχετικά με τον συγγραφέα
The Art That Shapes a Soul
I was not born into wealth or privilege, but I was born with a gift: the ability to see the world not as it is, but as it could be. My earliest memories are bathed in colors, as my father, an artist, filled our home with canvases that spoke louder than words ever could.
Like Picasso, I shared a bond with my father that transcended the ordinary. Both of us were shaped by fathers who painted. Yet, where Picasso found his calling early, I wandered—a quiet observer in a noisy world, introverted by nature.
As a teenager, I stumbled upon a piece of wood and began to carve. Each cut felt like a whisper of intuition. By the time I was done, the wood had transformed into something extraordinary—a sculpture that felt alive.
My father established Mother Gallery, a sanctuary for art, where I spent 16 transformative years as a curator. Those years were a whirlwind—a kaleidoscope of colors, ideas, and emotions. I met artists who breathed life into canvases, intellectuals whose words carried the weight of centuries, and thinkers who challenged every perception I held. I wasn’t just curating art; I was curating my soul.
Mother Gallery became my university. I learned to speak the language of creativity, to translate emotion into form, and to tell stories without words. I organized exhibitions that celebrated humanity, seminars that sparked revolutions of thought, and debates that danced between passion and reason.
Then the pandemic came, silencing the world. But in that silence, I rediscovered my voice. Alone with my thoughts, I picked up a brush. Isolation became my muse, the blank canvas my confidant. With each stroke, I poured out emotions long buried—grief, hope, anger, and love.
Today, my life is inseparable from art. It is not just what I do; it is who I am. Without it, I would wither.
Because without art, we are merely shadows.
And with it, we are infinite. ...
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Ιθαγένεια:
ΠΑΚΙΣΤΆΝ
- Ημερομηνία γεννήσεως : 1977
- καλλιτεχνική τομείς: Έργα επαγγελματιών καλλιτεχνών,
- Ομάδες: Επαγγελματίας Καλλιτέχνης Πακιστανοί Σύγχρονοι Καλλιτέχνες
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