Μίσθωση του έργου " Labirinto " από τον Aldo Luiz De Paula Fonseca με επιλογή αγοράς
Οι ΠΙΝΑΚΕΣ ΖΩΓΡΑΦΙΚΗΣ by Aldo Luiz De Paula Fonseca είναι διαθέσιμες προς μίσθωση με επιλογή αγοράς
Επιλέξτε τις μηνιαίες πληρωμές σας:
Αίτημα για πληροφορίες για χρηματοδοτική μίσθωση "Labirinto"
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Συχνές Ερωτήσεις
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on ArtMajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.
Σχετικά με τον συγγραφέα
I am representative of the third generation of artists in my family. I was born in 15 of March of 1947, Rio De Janeiro. Of my grandfather, I inherited the taste for the Brazilian landscapes, the light and the côr; of my father, I appraise it for the figure, the drawing and the expression. Naturalismo and expressionismo if establish, expanding my romantic temperament in an alchemy that produces screens of multiple subjects. They are gifts, since figures human beings, clowns, foliões, navies, feminine nakeds, to the landscapes where the sky is of blue a deep one and the multicolorful flowers. To dezessete years, I entered for the National School of Beautiful Arts of the UFRJ. In 1970, I left the School to enter Polygram recorder as Finalista Art and later Director of Art. Per one decade, I was the responsible professional for the creation of the parts of spreading of cast of Brazilian artists and some foreigners, between them: Tom Jobim, Elis Regina, Caetano Veloso, Gilbert Gil
I started to involve me with the subject "Carnival", from a refused record layer, when still she was operating graphical artist... Were successes of carnivals passed, rewritten for artists famous contemporaries. It was this yellow picture, that I called "the penultimate carnival", the clown drinking wine with pierrô touching violão. D the disillusionment of the refusal, right-hander to my Heleno friend Oliveira who, seeing the picture said: "_ Not esquenta with this staff not! (...), it goes pra house, it paints thirty pictures of these and it makes an exposition that goes to be a success ". Well... This was in 1983. The exposition alone left exactly in 1987, in the Toulouse Gallery, of the Cláudio Valansy, in Copacabana. A success was same. But, before this, they had been four years of many studies, drawings, and, to the end, thirty and five screens the ink oil, in some dimensions. The "green Clóvis" and the colored person of coasts w
"Naturalism and expressionism merge, expanding my romantic temperament in an alchemy that produces canvases of multiple themes."
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Ιθαγένεια:
ΒΡΑΖΙΛΊΑ
- Ημερομηνία γεννήσεως : 1947
- καλλιτεχνική τομείς:
- Ομάδες: Σύγχρονοι Βραζιλιάνοι Καλλιτέχνες
