© La tormenta y el rayo verde Painting by Richard Martin Vidal

Acrylic on Canvas, 39.4x59.1 in
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One of a kind
Artwork signed by the artist
Certificate of Authenticity included
Ready to hang
This artwork appears in 4 collections
  • Original Artwork (One Of A Kind) Painting, Acrylic on Canvas
  • Dimensions Height 39.4in, Width 59.1in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Paintings under $5,000 Naive Art Spirituality
ainting: Acrylic on canvas. © Title: The Storm - The Green Ray Acrylic - 100cm x 150cm The play is about a very personal critical moment and difficult to express in words. There is an attempt to fight. To get out of the psychic storm. We have to move forward. The composition is based on three parts. The[...]
ainting: Acrylic on canvas.

© Title: The Storm - The Green Ray
Acrylic - 100cm x 150cm

The play is about a very personal critical moment and difficult to express in words. There is an attempt to fight. To get out of the psychic storm. We have to move forward.

The composition is based on three parts. The sea represents the past. The effort to combat the wave of feelings, memories and nostalgia. Suffering is symbolized by the red drop a nd the cross.

In the middle is the present. Where the sailor's hope goes in the right direction by following the green ray. The concept of the ray or green ray was popularized by Jules Verne, who describes its color as "[...] If there is a green to Paradise, it cannot be saved from this hue, which is, certainly, the true green of Hope !

Related themes

Tempesta2016Richard Martin100 X 150 Cm

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BIO Pintor, fotógrafo y artista gráfico nacido en Zurich (Suiza) en 1968, Richard Martin, es un artista multidisciplinar cuya personalidad y orígenes están marcados por dos culturas muy diferenciadas[...]

BIO

Pintor, fotógrafo y artista gráfico nacido en Zurich (Suiza) en 1968, Richard Martin, es un artista multidisciplinar cuya personalidad y orígenes están marcados por dos culturas muy diferenciadas que influyen directamente en su obra.

La curva, con todas sus derivadas, es la piedra angular de un estilo propio que indaga en la interconexión de la naturaleza a escala global a través del proceso creativo e inconsciente del arte.

En la obra, cada uno de nosotros visualizará elementos comunes y diferentes en función de nuestras experiencias, edad, costumbres…

Así pues, el espectador está llamado a crear su propia historia a partir del binomio percepción-imaginación, y a escribir un relato personal determinado por un arquetipo propio e intrínseco, heredado o aprendido: “la obra no tiene un único significado, se multiplexa en función de nuestra experiencia y visión del mundo”.

Un recorrido visual, de estructuras fluidas que se interconectan y se entrelazan entre sí en la obra, a través de la curva como lenguaje pictórico, alimentado por las corrientes del informalismo y del surrealismo, entre otros. “Mirar hacia atrás es necesario para poder avanzar”… “El curvisme o curvismo no lo he inventado yo; estaba, está y estará presente en la naturaleza”. “Leonardo de Pisa o Fibonacci en el siglo XII descubrió ese orden de crecimiento en la naturaleza…”, “la curvatura está presente en todo lo que nos rodea y nos conecta aunque no sepamos aún por qué”.

Desde ese background busca transmitir humanidad y despertar en el espectador la construcción de su propio significado. Sobre la base de la sincronicidad y el inconsciente colectivo que en palabras de Jung, es “universal e impersonal”.

“El arte es una aventura en un mundo desconocido, diferente para cada espectador”.
Richard Martin
Maya

 

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