"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
Our high end prints and reproductions
Artmajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in terms of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of Artmajeur framed art prints.
For Artists! You help artists to live from their work. They receive royalties everytime you buy their prints.
About our fine printsPurchase a license to use this image for your website, communications or to sell merchandise.
Usage: Web Licence
| 1058 px | ||
|
1500 px |
| Dimensions of the file (px) | 1058x1500 |
| Use worldwide | Yes |
| Use on multi-support | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
Download immediately upon purchase
This image is available for download with a licence: you can download them at anytime.
Restrictions
All images on Artmajeur are original works of art created by artists, all rights are strictly reserved. The acquisition of a license gives the right to use or exploit the image under the terms of the license. It is possible to make minor modifications such as reframing, or refocusing the image so that it fits perfectly to a project, however, it is forbidden to make any modification that would be likely to harm the original work In its integrity (modification of shapes, distortions, cutting, change of colors, addition of elements etc ...), unless a written authorization is obtained beforehand from the artist.
Custom licences
If your usage is not covered by our standard licences, please contact us for a custom licence.
Art image bank-
This work is an "Open Edition"
Digital Arts,
Giclée Print / Digital Print
- Dimensions Several sizes available
- Several supports available (Fine art paper, Metal Print, Canvas Print)
- Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
- Artwork's condition The artwork is in perfect condition
- Categories Conceptual Art Comics
Related themes
Conceptual, visual and performance artist, animator and media producer from Berlin, Germany. Works also for TV and computer game industry.
Peter's oeuvre draws on the 20th c. modernist tradition and reflects the edgy current social awareness so typical of the German millennial culture. Peter's images with seemingly fairy-tale like narrative hide a deft analysis of the current social crisis.
Fear of the unknown, emotionally underhanded tactics and messages media employs to manipulate- to exploit or pacify such fears,- as well as the consequences of such tactics are the issues Dzogaba explores in his series.
As all Peter's work - though deceivingly simple and childlike, this contemporary comics is brilliantly layered and complex. On the surface, it is a tale of the Giant Yubobo told from a perspective of a little boy. Its simplicity -also typical of his Yubobo series- is meant to both disarm and intrigue the viewer, to elicit his inner child and delve into the story of a mysterious Cyclop (one-eyed) giant. Who is he, why did he come, where did he come from, what does he want?
As a whole, Yobobo series consists of several paintings, yet their order can be altered, some images can be omitted, others added when displayed- without changing the meaning or ultimate goal of the narrative Dzogaba attempts to convey. The idea of this narrative “play” – amplification, addition and omission of narrative elements of the whole story (or “whole picture”)- was conceived to replicate tactics used by the current news media to manipulate our attitudes, our worldview when encountering new social phenomena.
Peter’s images with his seemingly fairy tale like narrative hide a deft analysis of the current social problem faced by the European continent - that of the migrant crisis. His approach both mimics and criticizes that of the current media.
His “comics” tell a story of a giant Yobobo who shows up in a fictitious megalopolis squeezing through the city’s skyscrapers. Overnight he becomes a media celebrity. One minute a Violet Lady gave him a funny moon, the next, the giant is trying to shield himself from the flashes of paparazzi’s cameras. Among the journalists is a red-headed female whom Yubobo decides to let her in on a secret… And the following morning she wakes up with a strange looking big artificial hand that makes her strong and capable of doing anything she wants and desires.
Yet the girl gets frightened and collapses mentally unable to deal with her new reality. There are many more like her until one of the "strong arm" girls realizes she likes using it to stroke her hair; another girl uses it to fashion herself a companion robot. Eventually, little by little, the inhabitants of the city get used to what’s happening and pretend that everything is just normal...
[Silvia Lattova, Think+Feel Contemporary]
-
Nationality:
LATVIA
- Date of birth : unknown date
- Artistic domains:
- Groups: Contemporary Latvian Artists
See more from Peter Dzogaba
