Peter Dzogaba
Conceptual, visual and performance artist, animator and media producer from Berlin, Germany. Works also for TV and computer game industry.
Peter's oeuvre draws on the 20th c. modernist tradition and reflects the edgy current social awareness so typical of the German millennial culture. Peter's images with seemingly fairy-tale like narrative hide a deft analysis of the current social crisis.
Fear of the unknown, emotionally underhanded tactics and messages media employs to manipulate- to exploit or pacify such fears,- as well as the consequences of such tactics are the issues Dzogaba explores in his series.
As all Peter's work - though deceivingly simple and childlike, this contemporary comics is brilliantly layered and complex. On the surface, it is a tale of the Giant Yubobo told from a perspective of a little boy. Its simplicity -also typical of his Yubobo series- is meant to both disarm and intrigue the viewer, to elicit his inner child and delve into the story of a mysterious Cyclop (one-eyed) giant. Who is he, why did he come, where did he come from, what does he want?
As a whole, Yobobo series consists of several paintings, yet their order can be altered, some images can be omitted, others added when displayed- without changing the meaning or ultimate goal of the narrative Dzogaba attempts to convey. The idea of this narrative “play” – amplification, addition and omission of narrative elements of the whole story (or “whole picture”)- was conceived to replicate tactics used by the current news media to manipulate our attitudes, our worldview when encountering new social phenomena.
Peter’s images with his seemingly fairy tale like narrative hide a deft analysis of the current social problem faced by the European continent - that of the migrant crisis. His approach both mimics and criticizes that of the current media.
His “comics” tell a story of a giant Yobobo who shows up in a fictitious megalopolis squeezing through the city’s skyscrapers. Overnight he becomes a media celebrity. One minute a Violet Lady gave him a funny moon, the next, the giant is trying to shield himself from the flashes of paparazzi’s cameras. Among the journalists is a red-headed female whom Yubobo decides to let her in on a secret… And the following morning she wakes up with a strange looking big artificial hand that makes her strong and capable of doing anything she wants and desires.
Yet the girl gets frightened and collapses mentally unable to deal with her new reality. There are many more like her until one of the "strong arm" girls realizes she likes using it to stroke her hair; another girl uses it to fashion herself a companion robot. Eventually, little by little, the inhabitants of the city get used to what’s happening and pretend that everything is just normal...
[Silvia Lattova, Think+Feel Contemporary]
Discover contemporary artworks by Peter Dzogaba, browse recent artworks and buy online. Categories: contemporary german artists (born unknown date). Artistic domains: Painting, Digital Arts. Account type: Artist , member since 2022 (Country of origin Latvia). Buy Peter Dzogaba's latest works on Artmajeur: Discover great art by contemporary artist Peter Dzogaba. Browse artworks, buy original art or high end prints.
Artist Value, Biography, Artist's studio:
Yobobo Comixed • 15 artworks
View allYobobo World comics series is a result of Dzogaba’s natural artistic evolution as he, a multi-disciplinary artist, dabbles in animation with the same pleasure with which he creates his vivid static tableaux. Since Yobobo’s inception, singular depictions of this green giant turned into painting series, the series grew into canvas story boards and those in their turn metamorphosed into comics.
The comics showcased at this exhibition are simpler in their format than their painted predecessors (all are digital prints) yet they are also more complex in terms of the ideas they deliver. The comics format allows the artist to deliver his deeply philosophical observation of the world, of our society in a quick and accessible way. Both are a necessity as the world has changed in a profound way since Yobobo came to life. Our life has accelerated immeasurably and has become more perplexing. We are inundated by information - fake and real, and sorting through it, making sense out of it -is a feat. As a result, Yobobo has had to grow up fast and in these comics the giant has definitely entered his adolescence - his single eye zero-focused and his expression more spirited.
Issues of media manipulation, psychological exploitation, ongoing world crises - whether health or military are of continuous interest to the artist and are all touched upon in the presented comics. Giant Yobobo helps us to navigate this new reality and to see the eponymous “big picture” more clearly.
Our gallery’s choice of a non-traditional venue is an extension of this new reality. It was our intention to spread Yobobo’s ideas around the world and this “democratization” can only be achieved in the online space. It was equally important for the artist to make his art affordable to the youngest of his admirers - a social group most likely to strive for implementing Yobobo’s ideas into life.
Digital Arts | Several sizes
Digital Arts | Several sizes
Digital Arts | Several sizes
Digital Arts | Several sizes
Digital Arts | Several sizes
Digital Arts | Several sizes
Digital Arts | Several sizes
Digital Arts | Several sizes
Digital Arts | Several sizes
Digital Arts | Several sizes
Digital Arts | Several sizes
Yobobo World • 36 artworks
View allAcrylic on Paper | 16.5x23.6 in
Acrylic on Paper | 18.9x13.4 in
Acrylic on Paper | 23.6x16.5 in
Sold Artworks • 1 artwork
Acrylic on Paper | 23.6x16.5 in
Recognition
The artist's works have been noticed by the editorial staff
The artist participates in art shows and fairs
Biography
Conceptual, visual and performance artist, animator and media producer from Berlin, Germany. Works also for TV and computer game industry.
Peter's oeuvre draws on the 20th c. modernist tradition and reflects the edgy current social awareness so typical of the German millennial culture. Peter's images with seemingly fairy-tale like narrative hide a deft analysis of the current social crisis.
Fear of the unknown, emotionally underhanded tactics and messages media employs to manipulate- to exploit or pacify such fears,- as well as the consequences of such tactics are the issues Dzogaba explores in his series.
As all Peter's work - though deceivingly simple and childlike, this contemporary comics is brilliantly layered and complex. On the surface, it is a tale of the Giant Yubobo told from a perspective of a little boy. Its simplicity -also typical of his Yubobo series- is meant to both disarm and intrigue the viewer, to elicit his inner child and delve into the story of a mysterious Cyclop (one-eyed) giant. Who is he, why did he come, where did he come from, what does he want?
As a whole, Yobobo series consists of several paintings, yet their order can be altered, some images can be omitted, others added when displayed- without changing the meaning or ultimate goal of the narrative Dzogaba attempts to convey. The idea of this narrative “play” – amplification, addition and omission of narrative elements of the whole story (or “whole picture”)- was conceived to replicate tactics used by the current news media to manipulate our attitudes, our worldview when encountering new social phenomena.
Peter’s images with his seemingly fairy tale like narrative hide a deft analysis of the current social problem faced by the European continent - that of the migrant crisis. His approach both mimics and criticizes that of the current media.
His “comics” tell a story of a giant Yobobo who shows up in a fictitious megalopolis squeezing through the city’s skyscrapers. Overnight he becomes a media celebrity. One minute a Violet Lady gave him a funny moon, the next, the giant is trying to shield himself from the flashes of paparazzi’s cameras. Among the journalists is a red-headed female whom Yubobo decides to let her in on a secret… And the following morning she wakes up with a strange looking big artificial hand that makes her strong and capable of doing anything she wants and desires.
Yet the girl gets frightened and collapses mentally unable to deal with her new reality. There are many more like her until one of the "strong arm" girls realizes she likes using it to stroke her hair; another girl uses it to fashion herself a companion robot. Eventually, little by little, the inhabitants of the city get used to what’s happening and pretend that everything is just normal...
[Silvia Lattova, Think+Feel Contemporary]
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Nationality:
LATVIA
- Date of birth : unknown date
- Artistic domains:
- Groups: Contemporary Latvian Artists

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Yobobo Comixed / Rare Paintings / NFT
Kunstmatrix Technologies GmbH, Kaiserin-Augusta-Allee, Berlin, Germany
Peter Dzogaba. Yobobo World. Virtual Exhibit
Kunstmatrix