Jaguar Type D 1956 Black and White (2023) Digital Arts by Jan Keteleer

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  • This work is an "Open Edition" Digital Arts, Giclée Print / Digital Print
  • Dimensions Several sizes available
  • Several supports available (Fine art paper, Metal Print, Canvas Print)
  • Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
  • Categories Hyperrealism Car
Jaguar Type D 1956 Like its predecessor Jaguar C-Type, the Jaguar D-Type is a factory-built racing car. The Jaguar D-Type had a straight-XK engine design. At the beginning it was a 3.4 engine, later also a 3.8, together with the C-Type a revolutionary car in terms of aerodynamics and monocoque chassis. The D-Type was produced purely for motorsport,[...]
Jaguar Type D 1956
Like its predecessor Jaguar C-Type, the Jaguar D-Type is a factory-built racing car. The Jaguar D-Type had a straight-XK engine design. At the beginning it was a 3.4 engine, later also a 3.8, together with the C-Type a revolutionary car in terms of aerodynamics and monocoque chassis. The D-Type was produced purely for motorsport, but after Jaguar stopped building the car for motorsport, the company offered the unfinished chassis as the public-road version of the JaguarXKSS - –

Related themes

1950S E.u. Automobile Brittish Car

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From his interests in both classical art and modern / contemporary art, Belgian artist Jan Keteleer (JanKé) works with different styles. Ancient art is one of his interests, but you can also find examples of[...]

From his interests in both classical art and modern / contemporary art, Belgian artist Jan Keteleer (JanKé) works with different styles. Ancient art is one of his interests, but you can also find examples of his work in pop art and impressionism. If you browse through Jan Keteleer's portfolio, you will find beautiful nature scenes, painterly images of animals or pop art-based nudes.

After years of working in commercial photography, he turned his interest to artistic black and white photography. Projects such as Speechless, Silent Dialogues and Roots with Taboo brought him fame. He was inspired by the problems of the multicultural society in Belgium, the coexistence of different national and ethnic groups, the issue of the language barrier and the lack of dialogue between the "old" (the native population) and the "new" Belgians (the immigrants).

Today he has devoted himself entirely to digital painting. Using classical techniques such as acrylic and pastel, he creates individual elements that are then digitally brought together and finished.

JanKé attaches great importance to the social significance of his works and integrates them into the context of public space (stations, airports and public transport), prompting the viewer to react and reflect. His projects have received the support of the organization Sprakeloos, which aims to use art to provoke discussion on social issues.

He has had numerous exhibitions in Belgium (in Antwerp, Bruges, Lier, Leuven and Ghent), in the U.S. (in Dallas and San Francisco) and in Poland (in Krakow).

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