The Design of the Ferrari 250GT Lusso in 1963 Is Timeless (2022) Digital Arts by Jan Keteleer

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  • This work is an "Open Edition" Digital Arts, Giclée Print / Digital Print
  • Dimensions Several sizes available
  • Several supports available (Fine art paper, Metal Print, Canvas Print)
  • Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
  • Categories Hyperrealism Car
The design of the Ferrari 250GT Lusso in 1963 is definitely timeless. From its styling, to the aerodynamic look of the body, the car definitely exudes elegance and class. This is what makes the first generation of Ferrari 250 GT so unique, and its styling carries on this legacy. Another design that you would want to check out is the front[...]
The design of the Ferrari 250GT Lusso in 1963 is definitely timeless. From its styling, to the aerodynamic look of the body, the car definitely exudes elegance and class. This is what makes the first generation of Ferrari 250 GT so unique, and its styling carries on this legacy.

Another design that you would want to check out is the front bumper which is a one-piece unit. It also has integrated channels that run along the edges of the car body. This gives the car an extremely sporty appearance and gives the driver a shock when driving fast. If we were to analyze the shape of the front bumper further, we would find that the shape actually incorporates the V-shaped air dam. These air dams work in conjunction with the side skirts, and help reduce the air resistance around the car.

The side skirts also help reduce the drag and allow the air around the car to flow more freely, which in turn increases the power of the engine. The design of the Ferrari 250GT Lusso in 1963 is a timeless design for any modern day car. Its simple lines and sleek design are sure to attract any customer, and even if you do not know anything about cars, you would definitely want to give it a look.

Related themes

Ferrari Italy Classic Car Vintage Car Sportscar

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From his interests in both classical art and modern / contemporary art, Belgian artist Jan Keteleer (JanKé) works with different styles. Ancient art is one of his interests, but you can also find examples of[...]

From his interests in both classical art and modern / contemporary art, Belgian artist Jan Keteleer (JanKé) works with different styles. Ancient art is one of his interests, but you can also find examples of his work in pop art and impressionism. If you browse through Jan Keteleer's portfolio, you will find beautiful nature scenes, painterly images of animals or pop art-based nudes.

After years of working in commercial photography, he turned his interest to artistic black and white photography. Projects such as Speechless, Silent Dialogues and Roots with Taboo brought him fame. He was inspired by the problems of the multicultural society in Belgium, the coexistence of different national and ethnic groups, the issue of the language barrier and the lack of dialogue between the "old" (the native population) and the "new" Belgians (the immigrants).

Today he has devoted himself entirely to digital painting. Using classical techniques such as acrylic and pastel, he creates individual elements that are then digitally brought together and finished.

JanKé attaches great importance to the social significance of his works and integrates them into the context of public space (stations, airports and public transport), prompting the viewer to react and reflect. His projects have received the support of the organization Sprakeloos, which aims to use art to provoke discussion on social issues.

He has had numerous exhibitions in Belgium (in Antwerp, Bruges, Lier, Leuven and Ghent), in the U.S. (in Dallas and San Francisco) and in Poland (in Krakow).

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