Aan mannen die vrouwen haten (2022) Painting by Jan Keteleer

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Elke dag worden vrouwen geconfronteerd met mannen die vrouwen haten. Elke dag worden vrouwen belaagd en beschimpt door die mannen en het moet een keer ophouden. Als inspiratie voor dit digitale schilderij nam ik de figuur van Lisbeth Salander uit de trilogie van de Zweedse schrijver en journalist Stieg Larsson. Zij toont een zelfverzekerde[...]
Elke dag worden vrouwen geconfronteerd met mannen die vrouwen haten. Elke dag worden vrouwen belaagd en beschimpt door die mannen en het moet een keer ophouden. Als inspiratie voor dit digitale schilderij nam ik de figuur van Lisbeth Salander uit de trilogie van de Zweedse schrijver en journalist Stieg Larsson.

Zij toont een zelfverzekerde vrouw die zich niets aantrekt van regels en schoonheidsidealen. Zelfverzekerd heeft ze haar haar groen geverfd en steekt ze haar middelvinger op naar de kijker; dit gebaar kan voor velen schokkend overkomen, maar het is een duidelijke boodschap. Met haar valt niet te sollen.

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Portrait Girl Woman Middle FingerGirl Power

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From his interests in both classical art and modern / contemporary art, Belgian artist Jan Keteleer (JanKé) works with different styles. Ancient art is one of his interests, but you can also find examples of[...]

From his interests in both classical art and modern / contemporary art, Belgian artist Jan Keteleer (JanKé) works with different styles. Ancient art is one of his interests, but you can also find examples of his work in pop art and impressionism. If you browse through Jan Keteleer's portfolio, you will find beautiful nature scenes, painterly images of animals or pop art-based nudes.

After years of working in commercial photography, he turned his interest to artistic black and white photography. Projects such as Speechless, Silent Dialogues and Roots with Taboo brought him fame. He was inspired by the problems of the multicultural society in Belgium, the coexistence of different national and ethnic groups, the issue of the language barrier and the lack of dialogue between the "old" (the native population) and the "new" Belgians (the immigrants).

Today he has devoted himself entirely to digital painting. Using classical techniques such as acrylic and pastel, he creates individual elements that are then digitally brought together and finished.

JanKé attaches great importance to the social significance of his works and integrates them into the context of public space (stations, airports and public transport), prompting the viewer to react and reflect. His projects have received the support of the organization Sprakeloos, which aims to use art to provoke discussion on social issues.

He has had numerous exhibitions in Belgium (in Antwerp, Bruges, Lier, Leuven and Ghent), in the U.S. (in Dallas and San Francisco) and in Poland (in Krakow).

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