Psicanalista analizza (2023) Painting by Giò Pasta

Pencil on Wood, 27.6x59.1 in
$8,171.03
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Fine art paper, 5x12 in

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Esplorare i processi dell’attività artistica in riferimento anche ai conflitti dell’artista, non significa affatto operare un’equazione diretta tra l’inconscio dell’artista e la sua opera (così come sul piano teorico la pulsione primaria non equivale al risultato finale nella sua forma sublimata). E la psicoanalisi non intende nemmeno ridurre l’opera[...]
Esplorare i processi dell’attività artistica in riferimento anche ai conflitti dell’artista, non significa affatto operare un’equazione diretta tra l’inconscio dell’artista e la sua opera (così come sul piano teorico la pulsione primaria non equivale al risultato finale nella sua forma sublimata). E la psicoanalisi non intende nemmeno ridurre l’opera artistica ad una serie di spiegazioni teoriche semplicistiche che non sono in grado di “spiegare il genio del poeta” che possiede “un margine di libertà che non si può ulteriormente scomporre con la psicoanalisi” (Freud, 1907).

Related themes

Arte VisionariaArte E InconscioLa Psicologia Nell'arteL'artista PsicologoArte Collezione

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I was born in Fano. Graduated Master at the International Art Institute "Fanum Fortunae" in Fano. In the 60s I moved to Milan, to continue my studies by attending the Brera Academy of Fine Arts, located[...]

I was born in Fano. Graduated Master at the International Art Institute "Fanum Fortunae" in Fano. In the 60s I moved to Milan, to continue my studies by attending the Brera Academy of Fine Arts, located in the heart of that vibrant, free and nonconformist Milan of those years, sharing art with many artists who frequented the favorite for many of them: a golden decade of art, music, fashion, design and a great will to live. In 1975 the first personal exhibition, "Tratti & Ritratti", Galleria Guelfa, Florence. In 1977 in Rome. I attended the Academy of Dramatic Art "P. Sharoff". The meeting with the famous F. Vigo gallery owner immediately established a good feeling and so he exhibited in his "Numero" gallery in Rome, a point of reference for relations between internationally renowned artists and intellectuals. In 1981 I returned definitively to Milan, from here I resumed my initial path. In 1991 I was fully accepted as an Academician at the Academy of Fine Arts in Fano. In the years to come, with multimedia events and installations, my painting maintained the figurative style between the visionary and the fantastic, continuing the transit towards the latitude of the dream leads me to express, through journeys of the psyche, the metaphors of the life of the my mental imagery.

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