Dans un recoin de Kioni (2022) Photography by Gaspard De Gouges

Photography, 15.8x15.8 in
$217.65
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This artwork appears in 3 collections
"Pour faire cette mise en scène de paysage, je me suis installé sur la plus spacieuse de mes terrasses, entourée d'arbustes. J'ai utilisé des blocs de béton cellulaire et du plâtre et bien sûr de la peinture, pour un peintre c'est commode. J'ai disposé à gauche un bloc à l'envers pour augmenter cette impression de chaos.[...]
"Pour faire cette mise en scène de paysage, je me suis installé sur la plus spacieuse de mes terrasses, entourée d'arbustes. J'ai utilisé des blocs de béton cellulaire et du plâtre et bien sûr de la peinture, pour un peintre c'est commode. J'ai disposé à gauche un bloc à l'envers pour augmenter cette impression de chaos. La couleur des rochers est faite avec des pigments naturels d'ocre jaune, la lumière est celle du mois de janvier autour de Nîmes. Les couleurs sont très peu modifiées à par le turquoise qui est poussé au maximum. L'énergie qui se dégage de cette photo est très positive me semble t'il. j'utilise un format carré, pour me démarquer de la photographie de paysage traditionnelle." Gaspard de Gouges

"To make this landscape staging, I settled on the most spacious of my terraces, surrounded by shrubs. I used cellular concrete blocks and plaster and of course paint, for a painter c "Is convenient. I placed a block upside down on the left to increase this impression of chaos. The color of the rocks is made with natural yellow ocher pigments, the light is that of January around Nîmes. The colors are very little modified except for the turquoise which is pushed to the maximum. The energy that emerges from this photo is very positive, it seems to me. I use a square format, to stand out from traditional landscape photography. ." Gaspard de Gouges

„Für diese Landschaftsinszenierung habe ich mich auf der großzügigsten meiner Terrassen, umgeben von Sträuchern, niedergelassen. Ich habe Porenbetonblöcke und Putz und natürlich Farbe verwendet, für einen Maler ist das praktisch. Ich habe einen Block verkehrt herum auf der linken Seite platziert um diesen Eindruck des Chaos zu verstärken. Die Farbe der Felsen ist mit natürlichen gelben Ockerpigmenten gemacht, das Licht ist das des Januars um Nîmes. Die Farben sind sehr wenig verändert, außer dem Türkis, das auf das Maximum gedrückt wird. Die Energie, die entsteht von diesem Foto ist sehr positiv, wie mir scheint. Ich verwende ein quadratisches Format, um mich von der traditionellen Landschaftsfotografie abzuheben. Gaspard de Gouges

"Per realizzare questa messa in scena del paesaggio, mi sono sistemato sul più spazioso dei miei terrazzi, circondato da arbusti. Ho usato blocchi di cemento cellulare e intonaco e ovviamente pittura, per un pittore c "Conviene. Ho posizionato un blocco capovolto a sinistra per aumentare questa impressione di caos. Il colore delle rocce è fatto con pigmenti naturali giallo ocra, la luce è quella di gennaio intorno a Nîmes. I colori sono molto poco modificati tranne il turchese che viene spinto al massimo. L'energia che emerge da questa foto è molto positivo, mi sembra. Uso un formato quadrato, per distinguermi dalla tradizionale fotografia di paesaggio. ." Gaspard de Gouges

Aby wykonać tę inscenizację pejzażową, usadowiłem się na najbardziej przestronnym z moich tarasów, otoczonym krzewami. Użyłem bloczków z betonu komórkowego i tynku i oczywiście farby, dla malarza c „Jest wygodny. Postawiłem blok do góry nogami po lewej stronie aby spotęgować wrażenie chaosu. Kolor skał jest stworzony z naturalnych żółtych pigmentów ochry, światło jest takie jak w styczniu w okolicach Nîmes. Kolory są bardzo mało zmienione, z wyjątkiem turkusu, który jest wyeksponowany do maksimum. Energia, która się pojawia z tego zdjęcia jest bardzo pozytywna, wydaje mi się. Używam formatu kwadratowego, aby odróżnić się od tradycyjnej fotografii pejzażowej.” Gaspard de Gouges

„За да направя тази постановка на пейзажа, се настаних на най-просторната от моите тераси, заобиколена от храсти. Използвах блокове от клетъчен бетон и мазилка и разбира се боя, за художник c „Удобно е. Поставих блок с главата надолу вляво за да засили това впечатление за хаос.Цветът на скалите е направен с естествени жълти охра пигменти,светлината е тази от януари около Ним.Цветовете са много малко модифицирани с изключение на тюркоазения,който е изтласкан до максимум.Енергията,която се появява от тази снимка е много положителна, струва ми се. Използвам квадратен формат, за да се откроя от традиционната пейзажна фотография. " Гаспар дьо Гуж

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Gaspard de Gouges lives and works in the Gard, between Montpellier and Marseille (France). He is a graduate of the National School of Decorative Arts in Paris. In the early 2000s, he began to paint[...]

Gaspard de Gouges lives and works in the Gard, between Montpellier and Marseille (France). He is a graduate of the National School of Decorative Arts in Paris. In the early 2000s, he began to paint large format figurative canvases, group portraits. Since 2021 he has devoted himself to photography, which has become a game for him, a kind of motionless journey.

"I started photographing scenes when I was 10 years old, with very realistic toys and models that I built with stalks of dry grass, miniature vehicles. For a long time I wanted to photograph islands, to their dreamlike power, I love to travel there and their memory persists. Their existence plunges us into an elsewhere. I imagined them tropical, but it is on mineral and Mediterranean islands that I finally decided to evoke. My approach is to create stagings, artificial but plausible, realistic landscapes. I create imaginary worlds, sometimes containing ruins, at least rocks that sometimes make me think of fortresses. These landscapes surprise me and always give me a lot of pleasure to create. "

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