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Capitalism clogs the artiries and causes heart attacks... (2015) Photography by Gabriele Friscia
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This image is available for download with a licence
Sold by Gabriele Friscia
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Limited Edition Number of copies : 5.
Photography,
Digital Photography
on Paper
- Dimensions Height 47.2in, Width 32.7in
- Artwork's condition The artwork is in perfect condition
- Framing This artwork is not framed
- Categories Photographs under $1,000 Pop Art
Impresión: Kodak Premium Rapid-Dry satinado 260gr sobre PVC 5mm
Cámaras: Canon EOS 450D, Canon EOS 70D;Objetivos: Sigma 17-70mm macro, Sigma 105mm macro.
Mi deseo, en utilizar la macro fotografía panorámica, ha sido conseguir retratar objetos relativamente pequeños, como tapones de cervezas, para poderlo ampliar en una foto gran tamaño y de gran calidad en los detalles.
Los objetos son retratados en tres o más tomas fotográficas , montado con lightroom y sucesivamente editados con photoshop.
La panorámica macro me ha permitido tener archivos suficientemente grandes para obtener grandes ampliaciones sin tener que interpolar, intentado sacar el máximo partido de mis recursos técnicos.
El numero de pieza depende del espacio ya que por ejemplo “Efimera 9N” (ver en archivo adjunto) mide 120x120 cm y “Efímera olímpica” Tríptico” mide cada pieza 54x108 cm. Supongo que con unas cinco o seis piezas se puede tener una buena exposición por las características de la sala de AFOCO.
Además de las imágenes propiamente dicha al lado de cada una se presentará, enmarcado, el objeto fotografiado, en un ejercicio de comparación entre realidad y retrato.
Todos los objetos retratados son residuos material machacados y distorsionados por aplastamiento, o corroídos por los agentes atmosféricos, que lo han trasformados en otra obra, otro objeto que el retrato intenta elevarlo a icono fotográfico ligado a la estética del Pop Art. Latas de bebidas energéticas o de refresco de marcas icónicas, tapones de cerveza, latas de comidas en conserva o cajas de cigarrillos.
Así mismo estas piezas corroída por el tiempo y los acontecimientos representan para mi una suerte de metáfora del consumo, del transcurrir inexorable del tiempo y el carácter efímero del placer.
Related themes
CapitalismFine PhotographyFotografiaMacro PanoramicaPaquete De Cigarillo
Gabriele Friscia is a musician, photographer and painter. Double bassist soloist of the Orchestra of Córdoba and self-taught photographer. He has been a member of AFOCO (Asociación Fotográfica Cordobesa) since August 2007. As a photographer, he presented to the public his first exhibition entitled "Visiones en la arena - Tracce" at "La Carbonería" in Seville in February 2004, after having spent his life taking photos. Selected at the 6th Biennial of Plastic Arts Rafael Botí 2006, he participated in various Spanish photography biennials such as the Biennial of Cordoba and the Biennial of Olot in 2008, 2006, 2010 and 2014.
He has had more than 20 solo photography exhibitions in different galleries in Spain and Italy, including the 6th Biennial of Plastic Arts Rafael Botí 2006, various Spanish photography biennials such as the Biennial of Cordoba and the Biennial of Olot in 2008, 2006, 2010 and 2014; "Fotografía Accidental", an integral exhibition of his work at the CAI gallery in Puerto de Santa Maria or at "Parioli Fotografía Studio" in Rome.
He has dedicated himself to painting since 2014, working under the tutelage of José Luis Muñoz Luque and exhibiting at the Diputación de Córdoba in the last two collective student exhibitions. February 2020 he has his first solo exhibition devoted solely to his pictorial work. Efímera/pintura was exhibited at Góngora Arte, Sala de oposiciones from February 14 to March 5, 2020.
Gabriele Friscia (Rome 1964) lives and works in Cordoba (Spain).
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Nationality:
SPAIN
- Date of birth : unknown date
- Artistic domains:
- Groups: Contemporary Spanish Artists
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