Pas de carbon are used in the months of paints. Sauf on rare occasions. Seuls les bâtons, les cuillères, les fils, etc
No brushes are used in my paintings. Except on rare occasions. Only sticks, spoons, wire, hot etc
Brushes are not used in my paintings. Except on rare occasions. Only sticks, spoons, wires, heat etc. За исключением редких случаев. Только палочки, ложки, проволока, и т.д.
I stop painting on paper, I embark on a digital search, it allows me to modify forms, time and space in my works, completely losing the natural perspective. With the breaking of this, it opens to a new world of shapes, figures and colors in my mind. I feel comfortable in my way called Curbism.
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Mujer peinándose el pelo
Cambiando el pañal al nino
Agradecer a todo el equipo y colaboradores, la satisfacción de poder enseñar nuestras obras a un precio absequible.
Esperamos con impaciencia esas mejoras.
Un cordial saludo
DECOLORADO.
El Hotel Room Mate Larios**** para las show art room. Se trata del hotel más emblemático y el primer cuatro estrellas de la ciudad, con una decoración Art Decó firmada por Lorenzo Castillo.
www.art-breakfast.com
Se celebra en Málaga, ciudad costera que, con 568 479 habitantes según
el censo de 2013, es la sexta ciudad de España por población.
En cuanto a la provincia, su población real es de 2.182.791 personas,
unos 560.000 más que lo que refleja el padrón oficial. Como vemos, la
provincia cuatriplica la población de la ciudad.
El evento Art & Brekfast tiene cinco sedes.
El Hotel Room Mate Larios**** para las show art room. Se trata del
hotel más emblemático y el primer cuatro estrellas de la ciudad, con
una decoración Art Decó firmada por Lorenzo Castillo.
Este hotel, con balcones a la céntrica calle peatonal Marqués de
Larios, está a pocos pasos del Museo Picasso, el Museo Carmen Thyssen,
la Catedral, la casa natal de Picasso, y por supuesto de los
restaurantes y bares típicos de la ciudad.
En su azotea, la terraza de Larios ofrece las mejores vistas al
skyline de Málaga con la Catedral de referencia.
Las siguientes cuatro son sedes para actos culturales que se celebran
simultáneamente a la exposición propiamente dicha. Se trata de
-El Museo Carmen Thyssen Málaga,
-Espacio Cienfuegos,
-Casa Sostoa y
-Los Interventores. Adjunto en pdf la programación provisional y el
mapa de estas sedes para actos culturales complementarios.
En la organización colaboran:
-Centro de Arte Contemporáneo de Málaga http://cacmalaga.eu/
-Alliance Françoise Málaga http://www.alianzafrancesamalaga.es/
-Museo Carmen Thyssen Málaga http://www.carmenthyssenmalaga.org/es
-La Térmica http://www.latermicamalaga.com/
-Fundación Picasso http://fundacionpicasso.malaga.eu/
-Museo Picasso Málaga http://museopicassomalaga.org/
Tiene el respaldo del Ayuntamiento de Málaga, área de cultura
http://cultura.malaga.eu/portal/menu/seccion_0003/secciones/subSeccion_0006d/subSeccion_0002
Cuenta con importantes patrocinadores, que se pueden ver en la web
http://www.art-breakfast.com/
Va a ser un evento espectácular, en la zona de negocios y ocio de
Málaga, y por tanto la más transitada, en una ciudad cosmopolita y
abierta.
Salvador Colorado Valiente, with bleached pseudonym. Self-taught. Born March 28, 1969 and living in Madrid-Spain, between the districts of Cuatro Caminos and Tetuan.
Influenced and brought to see a work of José Manuel Ciria. I embarked on the creation of the spot with nothing definite, no preconceived brackets start with wood, I wonder what Anubis created and the creation of the gods 2004.
I start a stage dive and utter madness of painting, regardless where and with any type of material. In my works live my fantasies, thoughts and fears.
Moving on to something more radical, performed works in automobile windshields. Creating works as DO, RE, MI, Quixotic 2004 outdoor spaces like terraces, gardens etc. To try to surprise and impress the viewer. Recycled materials. Try placing them in the parking lot of the Hotel Puerta America through an interior decorator who made the parking. I ignored the attempt.
Continuous experimenting with tarpaulin creating works such as losing battle, and between the donkey and the horse 2004.
I feel I start experimenting exalted with both media and with different materials. In creating these works only spatulas painter, bleach, etchings, and industrial painting are used. I begin to ignore the brushes or any other traditional means of painting, focusing on attention.
I realize that I do not like to paint vertically or with stand.
Start using more and more fire in my works. (Made with great openness and torch butane gas energy content) with hereby Maples is created in the late 2004 haze (on wood boat). The technique turns the work into a magnificent granite and to merge painting and wood texture. The fire and heat with the environment is more comfortable and I start to feel development.
I feel the need for change, I have my first deviation toward more radical stains. Niagara late 2004 is created.
I criticize other artists on my works. Frustrating me stop painting. Taking a long period of inactivity.
When listening via radio to another artist. "You have to train yourself to be prepared for when the time comes to create" never thinking about creating a successful, if not the future conception of a work.
Again I frantically create between 2013 and 2014.
I try to create a collection for the blind with shapes and textures to touch. Not being relevant to my vision. The important thing is touch. End of 2014.
Meeting a new medium on which to create my works. Parafilm.
(Butchers Guticar). Sponsor discolored.
This support serves as my byline.
Another signature feature in my work is a dry seal. Camouflaging the horrific vision of a signature on a canvas. Personally I have always believed that spoil a work.
The paraffin paper, besides original is fantastic, allows me to create different, agile and visually stunning works.
Allows you to use all kinds of liquids and lots, maximum heat and minimal impact applied strippers, use ice, turpentine, oils, solvents, anti water, glues and adhesives among others.
Experimentation is continuing.
I do not rijo by any standards, no brushes, I always try to find a visual impact, and touch on some of my works, it's one of my future challenges trying to reach the public blind. My belief is that they see more than others.
He died, any day.
I hope you enjoy my work, as I've enjoyed performing them.
Pas de charbon sont utilisés dans mes peintures. Sauf en de rares occasions. Seuls les bâtons, les cuillères, les fils, etc
No brushes are used in my paintings. Except on rare occasions. Only sticks, spoons, wire, etc
No se usan pinceles en mis cuadros. Salvo en raras ocasiones. Sólo palos, cucharas, alambres, etc
Нет щетки не используются в моих картинах. За исключением редких случаев. Только палочки, ложки, проволока, и т.д.
I encourage all of you to continue to work, and congratulate all and me for the work we do, is a delight to display art. Continue research and development works.
Slds. Salvador Colorado Valiente
Colorado.
EXPOSICION EN MALAGA ESPAÑA
Hola a todas, os .
Espero que os guste mi sección de abstractos
No rules, no inertia control.
Pas de règles, pas de contrôle de l'inertie.
Нет правил, нет контроля инерции.
Sin normas, inercia sin control.
