Decolorado

My way

Salvador Colorado Valiente, with bleached pseudonym. Self-taught. Born March 28, 1969 and living in Madrid-Spain, between the districts of Cuatro Caminos and Tetuan.

Influenced and brought to see a work of José Manuel Ciria. I embarked on the creation of the spot with nothing definite, no preconceived brackets start with wood, I wonder what Anubis created and the creation of the gods 2004.

I start a stage dive and utter madness of painting, regardless where and with any type of material. In my works live my fantasies, thoughts and fears.

Moving on to something more radical, performed works in automobile windshields. Creating works as DO, RE, MI, Quixotic 2004 outdoor spaces like terraces, gardens etc. To try to surprise and impress the viewer. Recycled materials. Try placing them in the parking lot of the Hotel Puerta America through an interior decorator who made the parking. I ignored the attempt.

Continuous experimenting with tarpaulin creating works such as losing battle, and between the donkey and the horse 2004.

I feel I start experimenting exalted with both media and with different materials. In creating these works only spatulas painter, bleach, etchings, and industrial painting are used. I begin to ignore the brushes or any other traditional means of painting, focusing on attention.

I realize that I do not like to paint vertically or with stand.

Start using more and more fire in my works. (Made with great openness and torch butane gas energy content) with hereby Maples is created in the late 2004 haze (on wood boat). The technique turns the work into a magnificent granite and to merge painting and wood texture. The fire and heat with the environment is more comfortable and I start to feel development.

I feel the need for change, I have my first deviation toward more radical stains. Niagara late 2004 is created.

I criticize other artists on my works. Frustrating me stop painting. Taking a long period of inactivity.

When listening via radio to another artist. "You have to train yourself to be prepared for when the time comes to create" never thinking about creating a successful, if not the future conception of a work.

Again I frantically create between 2013 and 2014.

I try to create a collection for the blind with shapes and textures to touch. Not being relevant to my vision. The important thing is touch. End of 2014.

Meeting a new medium on which to create my works. Parafilm.
(Butchers Guticar). Sponsor discolored.

This support serves as my byline.

Another signature feature in my work is a dry seal. Camouflaging the horrific vision of a signature on a canvas. Personally I have always believed that spoil a work.

 
The paraffin paper, besides original is fantastic, allows me to create different, agile and visually stunning works.

Allows you to use all kinds of liquids and lots, maximum heat and minimal impact applied strippers, use ice, turpentine, oils, solvents, anti water, glues and adhesives among others.

Experimentation is continuing.

I do not rijo by any standards, no brushes, I always try to find a visual impact, and touch on some of my works, it's one of my future challenges trying to reach the public blind. My belief is that they see more than others.

He died, any day.

I hope you enjoy my work, as I've enjoyed performing them.