My artistic background emerges from the intersection of language and image, shaped outside traditional academic paths in the arts. I have worked for over thirty years as a linguistic technician at a university and as a cultural journalist—two fields that have sharpened my gaze, deepened my relationship with language, and allowed me to approach creative processes from multiple perspectives.
Alongside this, I have maintained a steady practice as a poet, visual poet, and visual artist. Writing has always been my starting point, but over time, I have extended that search into visual forms that explore the materiality of the sign, the rhythm of composition, and the symbolic power of fragmentation. I have worked with collage, photography, mixed media, digital processes, and artificial intelligence, always seeking a tension between intuition and structure, between the conceptual and the sensory.
Though not formally trained in Fine Arts, my formation is grounded in decades of work with language, art, and thought. I understand creation as a space for inquiry and resistance, where experience, craft, and radical attention to the world converge. Each project is a form of listening and an attempt to turn lived experience into sensitive matter.