The Florist Who Poisons Kings (2025) Digital Arts by Antoni Albalat Salanova

Fine art paper, 10x8 in

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  1161 px  

1500 px
Dimensions of the file (px) 1161x1500
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Use on multi-support Yes
Use on any type of media Yes
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Max number of prints 0 (Zero)
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Art image bank
  • This work is an "Open Edition" Digital Arts, Giclée Print / Digital Print
  • Dimensions Several sizes available
  • Several supports available (Fine art paper, Metal Print, Canvas Print)
  • Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
  • Artwork's condition The artwork is in perfect condition
  • Categories Classicism Esotericism
A baroque masquerade of sweetness and menace. The woman's smile glows with theatrical delight, yet her banquet brims with unsettling symbols: roses nestled among bread, a reptilian skull resting by her hand. This is not a feast—it’s an allegory, a trap staged in velvet and candied crumbs. The composition nods to classical still lifes while smuggling [...]
A baroque masquerade of sweetness and menace. The woman's smile glows with theatrical delight, yet her banquet brims with unsettling symbols: roses nestled among bread, a reptilian skull resting by her hand. This is not a feast—it’s an allegory, a trap staged in velvet and candied crumbs. The composition nods to classical still lifes while smuggling in surreal tension. Poison and charm, arranged with exquisite precision.

Related themes

BaroqueStill LifeSurrealPoisonSmiling Woman

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My artistic background emerges from the intersection of language and image, shaped outside traditional academic paths in the arts. I have worked for over thirty years as a linguistic technician at a university [...]

My artistic background emerges from the intersection of language and image, shaped outside traditional academic paths in the arts. I have worked for over thirty years as a linguistic technician at a university and as a cultural journalist—two fields that have sharpened my gaze, deepened my relationship with language, and allowed me to approach creative processes from multiple perspectives.

Alongside this, I have maintained a steady practice as a poet, visual poet, and visual artist. Writing has always been my starting point, but over time, I have extended that search into visual forms that explore the materiality of the sign, the rhythm of composition, and the symbolic power of fragmentation. I have worked with collage, photography, mixed media, digital processes, and artificial intelligence, always seeking a tension between intuition and structure, between the conceptual and the sensory.

Though not formally trained in Fine Arts, my formation is grounded in decades of work with language, art, and thought. I understand creation as a space for inquiry and resistance, where experience, craft, and radical attention to the world converge. Each project is a form of listening and an attempt to turn lived experience into sensitive matter.

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Available
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