Corto's Portrait (2025) Digital Arts by Antoni Albalat Salanova

Fine art paper, 11x8 in

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  1030 px  

1500 px
Dimensions of the file (px) 1030x1500
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Art image bank
  • This work is an "Open Edition" Digital Arts, Giclée Print / Digital Print
  • Dimensions Several sizes available
  • Several supports available (Fine art paper, Metal Print, Canvas Print)
  • Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
  • AI generated image The artist created this image leveraging Artificial Intelligence technology
  • Categories Classicism Comics
A brooding portrait of a sailor caught between worlds, this image reimagines Corto Maltese through the lens of 19th-century realist painting. The earthy palette, rough textures, and chiaroscuro lighting recall the brushwork of Courbet or early Van Gogh. Gone are the clean comic lines — in their place, worn cloth, shadowed eyes, and the quiet weight [...]
A brooding portrait of a sailor caught between worlds, this image reimagines Corto Maltese through the lens of 19th-century realist painting. The earthy palette, rough textures, and chiaroscuro lighting recall the brushwork of Courbet or early Van Gogh. Gone are the clean comic lines — in their place, worn cloth, shadowed eyes, and the quiet weight of experience.

His gaze is distant, inward, shaped by exile and salt. This is no longer a drawing from an adventure book, but a study in solitude, masculinity, and myth. A mariner turned myth, rendered in oil and dusk.

Related themes

PortraitCortoCorto MaltesHugo PrattSergent

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My artistic background emerges from the intersection of language and image, shaped outside traditional academic paths in the arts. I have worked for over thirty years as a linguistic technician at a university [...]

My artistic background emerges from the intersection of language and image, shaped outside traditional academic paths in the arts. I have worked for over thirty years as a linguistic technician at a university and as a cultural journalist—two fields that have sharpened my gaze, deepened my relationship with language, and allowed me to approach creative processes from multiple perspectives.

Alongside this, I have maintained a steady practice as a poet, visual poet, and visual artist. Writing has always been my starting point, but over time, I have extended that search into visual forms that explore the materiality of the sign, the rhythm of composition, and the symbolic power of fragmentation. I have worked with collage, photography, mixed media, digital processes, and artificial intelligence, always seeking a tension between intuition and structure, between the conceptual and the sensory.

Though not formally trained in Fine Arts, my formation is grounded in decades of work with language, art, and thought. I understand creation as a space for inquiry and resistance, where experience, craft, and radical attention to the world converge. Each project is a form of listening and an attempt to turn lived experience into sensitive matter.

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