E. Bathory eats tomatoes (2025) Digital Arts by Antoni Albalat Salanova

Fine art paper, 11x8 in

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1500 px
Dimensions of the file (px) 1030x1500
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Art image bank
  • This work is an "Open Edition" Digital Arts, Giclée Print / Digital Print
  • Dimensions Several sizes available
  • Several supports available (Fine art paper, Metal Print, Canvas Print)
  • Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
  • Artwork's condition The artwork is in perfect condition
  • AI generated image The artist created this image leveraging Artificial Intelligence technology
  • Categories Classicism Gothic
A young noblewoman in Renaissance dress gazes at us while lifting a bitten tomato to her lips — or is it something else? Her elongated canines and the trail of red liquid evoke a vampiric tableau disguised as portraiture. Painted in the meticulous style of 16th-century court painters, the image plays with illusion: blood as juice, innocence as danger, [...]
A young noblewoman in Renaissance dress gazes at us while lifting a bitten tomato to her lips — or is it something else? Her elongated canines and the trail of red liquid evoke a vampiric tableau disguised as portraiture. Painted in the meticulous style of 16th-century court painters, the image plays with illusion: blood as juice, innocence as danger, beauty as bait.

The composition is balanced and serene, yet charged with tension. The setting is dim, the expression ambiguous, and the double meaning deliberate. A dark fable in oil and velvet.

Related themes

BathoryCarmillaVampireRennaissanceGothic

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My artistic background emerges from the intersection of language and image, shaped outside traditional academic paths in the arts. I have worked for over thirty years as a linguistic technician at a university [...]

My artistic background emerges from the intersection of language and image, shaped outside traditional academic paths in the arts. I have worked for over thirty years as a linguistic technician at a university and as a cultural journalist—two fields that have sharpened my gaze, deepened my relationship with language, and allowed me to approach creative processes from multiple perspectives.

Alongside this, I have maintained a steady practice as a poet, visual poet, and visual artist. Writing has always been my starting point, but over time, I have extended that search into visual forms that explore the materiality of the sign, the rhythm of composition, and the symbolic power of fragmentation. I have worked with collage, photography, mixed media, digital processes, and artificial intelligence, always seeking a tension between intuition and structure, between the conceptual and the sensory.

Though not formally trained in Fine Arts, my formation is grounded in decades of work with language, art, and thought. I understand creation as a space for inquiry and resistance, where experience, craft, and radical attention to the world converge. Each project is a form of listening and an attempt to turn lived experience into sensitive matter.

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