The-monster-egg-63-ke.jpg (2018) Digital Arts by Ahmed Alozade

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  • This work is an "Open Edition" Digital Arts, Giclée Print / Digital Print
  • Dimensions Several sizes available
  • Several supports available (Fine art paper, Metal Print, Canvas Print)
  • Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
  • Categories Abstract
"The Monster Egg" is an abstract, charming and dreamy artistic creation. I imagined in this work 3 different structures that represent 3 types of elements, 3 environments, 3 degrees of depth and 3 families of colors. The whole forms an imaginary metaphysical and cosmological homogeneous system. the image produces in the spectator a[...]
"The Monster Egg" is an abstract, charming and dreamy artistic creation. I imagined in this work 3 different structures that represent 3 types of elements, 3 environments, 3 degrees of depth and 3 families of colors. The whole forms an imaginary metaphysical and cosmological homogeneous system.
the image produces in the spectator a very positive psychic state.
This creation is of abstract expressionist style, with the Tachist technique.
Date of Inception: March 31, 2018
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"L'œuf monstre" est une création artistique abstraite, charmante et rêveuse. J'ai imaginé dans ce travail 3 structures différentes qui representent 3 types d'éléments, 3 environnements, 3 degrés de profondeur et 3 familles de couleurs. L'ensemble forme un système imaginaire métaphysique et cosmologique homogène.
l'image produit chez le spectateur un état psychique très positif.
Cette création est de style expressionniste abstrait, avec la technique Tachist.
Date de création: 31 mars 2018

Related themes

Abstract LyricFree CreationTachist ExpressionismEmotional PaintingMetaphysical Topic

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At the age of 7*, Ahmed ALOZADE began to draw things that surprised his parents and his teachers. His notebooks and diaries were his places of exhibition. His curiosity for painting goes back to his adolescence[...]

At the age of 7*, Ahmed ALOZADE began to draw things that surprised his parents and his teachers. His notebooks and diaries were his places of exhibition. His curiosity for painting goes back to his adolescence (particularly after having stopped studying music because of asthma); but cultural and social conditions did not favor its practice.Throughout his professional life (teacher in college, high school and professor-researcher at university); Ahmed has never ceased his research on Art, painting, beauty, creativity and the history of Art. In close connection with his research in the human sciences, and also in philosophy, landscapes, systems, aesthetics, psychology, and futurism.Now retired, Ahmed devotes himself entirely to painting in its most contemporary form (DIGITAL). NOW. it is on the highway of the web that he presents his works and makes discover his creations.Ahmed, who lived most of his life in the great city of Casablanca, had benefited from his geographical studies, his travels through Morocco and Europe, and the web with its enormous cultural, technical and visual treasures.Since June 2016, in his website, his thousands visitors, fans and friends, from 140 countries, have added a strong energy to his talent.Now his 200 creations also circulate in several social sites, art sites, image sharing sites, and in search engines.Since April 2022, the artist Ahmed ALOZADE, begins physical painting with acrylic and oil paints. To succeed in this radical change, he took training in Paris and online with French and Canadian art teachers.The first 30 physical productions of ALOZADE, in 2022, were created with different styles (Realism, Abstract, Impressionism..).In 2023 he devotes himself to creation with contemporary styles and mixed techniques (Semi-realism, neo-expressionism, lyrical abstract,... with knives, with tachisme, with pouring...). He seeks his artistic personality.

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In 2018, ALOZADE Ahmed deserved the certificate of: Artmajeur Awards (category: Gold)

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*[NB: my official date of birth: 01/1/1945, REAL : July 07, 1948]

The Artist was highlighted in an article in Artmajeur Magazine:

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Digital Arts | Several sizes
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