广厦千万间(Live and work in peace and contentment) (2022) Sculpture by Zhao Yongchang

Sculpture - Resin, 8.3x25.6 in
$1,497
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This artwork appears in 4 collections
  • Limited Edition (#8/8) Sculpture, Resin on Other substrate
  • Number of copies available 1
  • Dimensions Height 8.3in, Width 25.6in / 2.00 kg
  • Artwork's condition The artwork is in perfect condition
  • Fit for outdoor? No, This artwork can not be displayed outdoor
  • Categories Sculptures under $5,000 Oriental Art World Culture
以前上学的时候读到杜甫的《茅屋为秋风所破歌》时,只会感叹一位老者、老无所依时的悲凉感,唯一的茅草屋还偏偏被大风刮破了,同村的小孩还要嬉闹抢走,那种无奈感是即使熟读背诵一百遍也无法身临其境地体会到的。. “房”的重要性,尤其对中国人来说,是安身之所,立命之本。近两年开始出现的大批烂尾楼,到如今自己的房子面临烂尾风险时却毫无办法,看来“房子”的问题自古以来就是普通百姓的难题。艺术能解决问题吗?就像陈丹青说的:艺术对于个人和社会来说没有什么用,但是我们和这个社会如果有艺术会美好一点……可能是吧,它至少也是我的一个表达窗口,人总是要有一个情绪的释放点。. 我在进行“侠客系列”的创作时总是会思考,究竟怎么定义“侠”在中国文化里的意义,它之于我、之于中国人,应该更多的是一种良知与坚韧,但它又经常有悖于社会的“稳定与和谐”,所以我们常常把它理解为一种抗争与不屈。我们的身体早就不属于自己,又何必让心灵也受到束缚呢?. [...]
以前上学的时候读到杜甫的《茅屋为秋风所破歌》时,只会感叹一位老者、老无所依时的悲凉感,唯一的茅草屋还偏偏被大风刮破了,同村的小孩还要嬉闹抢走,那种无奈感是即使熟读背诵一百遍也无法身临其境地体会到的。

“房”的重要性,尤其对中国人来说,是安身之所,立命之本。近两年开始出现的大批烂尾楼,到如今自己的房子面临烂尾风险时却毫无办法,看来“房子”的问题自古以来就是普通百姓的难题。艺术能解决问题吗?就像陈丹青说的:艺术对于个人和社会来说没有什么用,但是我们和这个社会如果有艺术会美好一点……可能是吧,它至少也是我的一个表达窗口,人总是要有一个情绪的释放点。

我在进行“侠客系列”的创作时总是会思考,究竟怎么定义“侠”在中国文化里的意义,它之于我、之于中国人,应该更多的是一种良知与坚韧,但它又经常有悖于社会的“稳定与和谐”,所以我们常常把它理解为一种抗争与不屈。我们的身体早就不属于自己,又何必让心灵也受到束缚呢?

“安得广厦千万间,大庇天下寒士俱欢颜”

仗剑走天涯时,剑是一种情感的寄托,它能提供给我们超出肉体的力量。以前剑在身,今天剑在心。

在这件作品里,这把剑承载了杜甫心中让天下寒士都能免于被风雨侵蚀的住所,给那些无处安放的灵魂一个归所。它们高耸于山脉之巅,安静地形成连绵之势,近在眼前又好像遥不可及。
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Yong Chang Zhao is a contemporary Chinese artist known for his innovative exploration of oriental modeling language in his artwork. Born in 1992 in China, Zhao graduated from the School of Sculpture and Public [...]

Yong Chang Zhao is a contemporary Chinese artist known for his innovative exploration of oriental modeling language in his artwork. Born in 1992 in China, Zhao graduated from the School of Sculpture and Public Art at the China Academy of Art. Throughout his career, he has received numerous accolades, including the Excellence Award at the 8th Zhejiang Youth Art Exhibition, the Hong Kong Youth Design Award (YDA), and the Silver Award for China Academy of Art Graduation Creation and Lin Fengmian Creation Award.

Zhao's work has been exhibited widely across China and has been featured in prominent contemporary art fairs such as the 7th Shanghai Youth Art Fair, Art Shanghai International Fair, Art Suzhou, Art Xiamen, and Art Shenzhen. His art is deeply influenced by the oriental aesthetic temperament, particularly the concept of "circle" found in classical oriental sculptures. This influence is evident in his emphasis on lines and shapes that reflect a "circular" wisdom, embodying a harmonious and continuous flow.

In his sculptures, Zhao often depicts knights who are mature beyond their years, imbued with a melancholic yet thoughtful demeanor. These figures, characterized by a steady and introspective temperament, represent Zhao's exploration of deep-seated power dynamics and self-reflection. They embody a chivalrous spirit, capable of expressing and doing things beyond Zhao's own capabilities, serving as extensions of his inner world.

Zhao believes that art possesses the power to reveal truths, embody goodness, and inspire beauty. He views the creation of art as a means to address the darker aspects of the world, providing a true emotional foundation, guiding values, and offering spiritual cleansing through aesthetics. His works aim to foster spiritual interaction and connection, continually contributing to the creation of a richer spiritual world.


The Artist was highlighted in an article in ArtMajeur Magazine:

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