执山(缩小版) (2021) Sculpture by Zhao Yongchang

Sculpture - Bronze, 19.3x11.8 in
$2,597
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翩翩少年,风华正茂。 他右手执剑,踏风向前 。剑柄上的鸟儿正与少年对视,彼此在诉说着衷情,少年的剑, 是一种饱含英雄侠义的执念,承载着超尘脱凡的气概。 执山, 执的是江山,是少年的心愿,也是永恒的山川。. 《执山》塑造的是一位意气风发、信念坚定的东方少年形象。. 大禹铸九鼎以象征天下,天下之重不若九鼎,九鼎之重不 若执念。九鼎早已消亡于历史之中,而那些心有四方、品行高洁的愿力成为了历史进程的接力棒。苏东坡的“一点浩然气,千里快哉风”与王希孟的《千里江山图》是宋代文艺高 峰的一个缩影。苏文字中的胸襟与王笔下的豪迈在各自领域里交相呼应。少年侠客手里的剑超出了它本身的器物意义,与山川融为一体,是一种心愿与胸怀的象征,他与剑柄上的鸟儿微微一笑对视的一瞬间,展现的是侠义的仁爱之心。王希孟创作《千里江山图》时正值十八岁,我把十八岁理解为一种充满希望与活力的象征意义,没有人可以永远十八岁,但这个世界永远有十八岁的人,我们也可以让自己的心境永远保持十八岁的状态。 [...]
翩翩少年,风华正茂。 他右手执剑,踏风向前 。剑柄上的鸟儿正与少年对视,彼此在诉说着衷情,少年的剑, 是一种饱含英雄侠义的执念,承载着超尘脱凡的气概。 执山, 执的是江山,是少年的心愿,也是永恒的山川。
《执山》塑造的是一位意气风发、信念坚定的东方少年形象。
大禹铸九鼎以象征天下,天下之重不若九鼎,九鼎之重不 若执念。九鼎早已消亡于历史之中,而那些心有四方、品行高洁的愿力成为了历史进程的接力棒。苏东坡的“一点浩然气,千里快哉风”与王希孟的《千里江山图》是宋代文艺高 峰的一个缩影。苏文字中的胸襟与王笔下的豪迈在各自领域里交相呼应。少年侠客手里的剑超出了它本身的器物意义,与山川融为一体,是一种心愿与胸怀的象征,他与剑柄上的鸟儿微微一笑对视的一瞬间,展现的是侠义的仁爱之心。王希孟创作《千里江山图》时正值十八岁,我把十八岁理解为一种充满希望与活力的象征意义,没有人可以永远十八岁,但这个世界永远有十八岁的人,我们也可以让自己的心境永远保持十八岁的状态。

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千里江山图少年侠客

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Yong Chang Zhao is a contemporary Chinese artist known for his innovative exploration of oriental modeling language in his artwork. Born in 1992 in China, Zhao graduated from the School of Sculpture and Public [...]

Yong Chang Zhao is a contemporary Chinese artist known for his innovative exploration of oriental modeling language in his artwork. Born in 1992 in China, Zhao graduated from the School of Sculpture and Public Art at the China Academy of Art. Throughout his career, he has received numerous accolades, including the Excellence Award at the 8th Zhejiang Youth Art Exhibition, the Hong Kong Youth Design Award (YDA), and the Silver Award for China Academy of Art Graduation Creation and Lin Fengmian Creation Award.

Zhao's work has been exhibited widely across China and has been featured in prominent contemporary art fairs such as the 7th Shanghai Youth Art Fair, Art Shanghai International Fair, Art Suzhou, Art Xiamen, and Art Shenzhen. His art is deeply influenced by the oriental aesthetic temperament, particularly the concept of "circle" found in classical oriental sculptures. This influence is evident in his emphasis on lines and shapes that reflect a "circular" wisdom, embodying a harmonious and continuous flow.

In his sculptures, Zhao often depicts knights who are mature beyond their years, imbued with a melancholic yet thoughtful demeanor. These figures, characterized by a steady and introspective temperament, represent Zhao's exploration of deep-seated power dynamics and self-reflection. They embody a chivalrous spirit, capable of expressing and doing things beyond Zhao's own capabilities, serving as extensions of his inner world.

Zhao believes that art possesses the power to reveal truths, embody goodness, and inspire beauty. He views the creation of art as a means to address the darker aspects of the world, providing a true emotional foundation, guiding values, and offering spiritual cleansing through aesthetics. His works aim to foster spiritual interaction and connection, continually contributing to the creation of a richer spiritual world.


The Artist was highlighted in an article in ArtMajeur Magazine:

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