Floating memories 07 (2018) Photography by Yasuo Kiyonaga

Photography, 16x20 in
$938.82
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Artwork signed by the artist
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Ready to hang
This artwork is framed
Mounted on Cardboard
  • Limited Edition (#4/5) Photography, Digital Photography on Paper
  • Dimensions 16.2x20.5 in
    Dimensions of the work alone, without framing: Height 16in, Width 20in
  • Framing This artwork is framed (Frame + Under Acrylic Glass)
  • Categories Photographs under $1,000 Symbolism
Le passé et le présent, le présent et l'avenir, dans lesquels la mémoire flotte constamment. Une pierre qui est à la fois le passé et la mémoire de la terre. Je veux faire flotter la pierre non seulement dans le passé, mais aussi dans le présent et le futur. - Yasuo Kiyonaga
Le passé et le présent, le présent et l'avenir, dans lesquels la mémoire flotte constamment.
Une pierre qui est à la fois le passé et la mémoire de la terre.
Je veux faire flotter la pierre non seulement dans le passé, mais aussi dans le présent et le futur.

- Yasuo Kiyonaga

Related themes

ZenMinimalismSurréalismTempsMémoire

Automatically translated
Artist represented by Gallery Japanesque Paris
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Yasuo Kiyonaga is an artist and photographer who translates in a surreal way the phenomena of all universes such as nature, mountain villages, cities and human beings. Captured by his viewfinder,[...]

Yasuo Kiyonaga is an artist and photographer who translates in a surreal way the phenomena of all universes such as nature, mountain villages, cities and human beings. Captured by his viewfinder, the subjects are first deconstructed, then given new forms before the meaning of their existence is revealed by Kiyonaga. The artist breaks through the conventional notion of “photography”. He uses his unique technique to reconcile seemingly incompatible phenomena: photography and painting, nature and artifice, the two- and three-dimensional, past and future or even dream and reality, until he achieves the sublimation of his art.

Yasuo Kiyonaga was born in 1948 in Kagawa prefecture in Japan. His activities are based in Tokyo, Kyoto and Paris. He decided to take up photography in 1966, influenced by Jean-Eugène Atget and Aaron Siskind. After graduating from photography school in 1970, he joined Recruit Co., then in 1980, he founded SHC, which is today a leader in this sector.

While having remained in the world of photojournalism for a long time, Kiyonaga undertakes new challenges at the cutting edge of progress within corporate communication. His own points of view, observations, conceptions and judgments nourished by various experiences are the source of his current creative activities.

Kiyonaga has seriously resumed his artistic activities since 1995. He is also a gallery owner: he has opened several galleries in order to present Japanese and foreign photographers and to exhibit his own work there. He is also the author of several photo books: Leslie (1999), Spirit of Forest (2007), Paris Sketch (2012), The Japanese Beautiful Landscapes series (2008-), Japanese Tools (2015), Ujô Senses of Rain ( 2016).

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