Cliteros III- Clitobic (2020) Drawing by Yaël Moon

Ballpoint pen on Paper, 17.5x21.3 in
$527.29
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Sold by Yaël Moon

One of a kind
Artwork signed by the artist
Certificate of Authenticity included
This artwork is framed
This artwork appears in 5 collections
  • Original Artwork (One Of A Kind) Drawing, Ballpoint pen on Paper
  • Dimensions Height 17.5in, Width 21.3in
  • Framing This artwork is framed (Frame + Under Glass)
  • Categories Drawings under $1,000 Figurative
Stylo bic sur papier. papier Antica Cartiera 100% cellulose Grain fin - Ph neutre Acid Free Cold Press Format dessin 30*40 cm Oeuvre encadrée par professionnel, baguette noire 2 cm, passe-partout noir 6cm Verre Anti-reflet Clear Color Cliteros III / Clitobic La troisième œuvre de[...]
Stylo bic sur papier.
papier Antica Cartiera 100% cellulose
Grain fin - Ph neutre Acid Free Cold Press

Format dessin 30*40 cm
Oeuvre encadrée par professionnel,
baguette noire 2 cm, passe-partout noir 6cm
Verre Anti-reflet Clear Color

Cliteros III / Clitobic

La troisième œuvre de la série 69+4 se met en place dans une simplicité erronée.

Les dix premières se consacrent à l’érotisme du clitoris.

L’érotisme est partout ; lorsqu’on pose les yeux sur une main fascinante, croise un regard profond, déguste la beauté d’un.e inconnu.e, frissonne pour une photo, tremble devant un dessin.
D’un seul coup, le désir ardent, brûlant s’empare du corps et de l’esprit.
Pourquoi scinder ces deux parties de l’être alors qu’elles ne font qu’une ?

Ce désir, on tente de le refouler ou de le satisfaire par des moyens détournés jusqu’à ce qu’il soit éliminé de notre conscience.
La pulsion ardente reste pourtant cachée dans l’obscurité de l’inconscience, attendant de refaire surface à la première occasion.

L’érotisme n’est pas compliqué, il est juste tabou parce qu’il parle de désir, de sexe, de vie et de mort.
L’érotisme fait peur car il nous met devant la vérité.

« La sexualité et la mort ne sont que des moments aigus d’une fête que la nature célèbre avec la multitude inépuisable des êtres… » Georges Batailles L’érotisme

Le stylo Bic est d’une simplicité provoquante. Avant la conquête planétaire, Le Bic a traversé quatre vies d’hommes…
D’abord, un tanneur essaie de trouver un moyen simple pour écrire sur le cuir à la fin du 19ème , puis deux frères hongrois améliorent le concept juste avant la 2ème guerre mondiale, enfin, à la fin des années 50, un homme d’affaires fait de l’invention une performance économique et culturelle en peaufinant les défauts gênants et diminuant son coût.

Le Bic derrière sa simplicité déroutante cache des essais infructueux, des réussites méconnues, étalés sur près d’un siècle.

Une bille lubrifiée d’encre glisse sur le papier. Le capuchon se mordille sans retenue. 2km d’écriture peuvent s’étirer de son corps.
Il tourne autour des doigts à un rythme effréné. Il se transforme en sarbacane, fait fi de la distance sociale de sécurité pour satisfaire le besoin de toucher l’autre.

Intemporel.

L’universel stylo semble prolonger le corps pour que l’esprit s’exprime.

C’est l’instrument érotique de l’écriture, accessible à toutes et tous. Sans tabous culturels, religieux, économiques, politiques…

Bic est choisi pour Cliteros III, un Clitobic, encre noire sur fond blanc.
Pas de gomme, pas de retour en arrière, une multitude de traits.
Encore et encore.
Jusqu’à former un fantasme anatomique, un Clitoris érectile tout en courbes et en rondeurs logé au centre d’une forêt symbolique.

Un Clitoris universel réalisé par un instrument universel. Une œuvre intemporelle.

Disparu, retrouvé, le clitoris réinvente la sexualité.
En l’an 2020 Clitobic est né d’une femme-artiste dévorée d’amour, de doutes, de désirs, de vie.

Related themes

ClitorisDessinStyloÉrotismeOrgane

Automatically translated
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At 18, driven by the need to travel and the desire for independence, Yaël continued her studies in the Merchant Navy. The closed environment awakens his practice of drawing; the maritime landscape, his[...]

At 18, driven by the need to travel and the desire for independence, Yaël continued her studies in the Merchant Navy.

The closed environment awakens his practice of drawing; the maritime landscape, his taste for observation.

She changed course and made her way into artistic practice and art therapy.

Yaël leaves with her family for Gabon, meets a team of psychologists who offer her the opportunity to put her knowledge in Art therapy into practice.

A storytelling-therapeutic workshop is set up and is complemented by individual artistic mediation sessions for children with specific needs.

Yaël discovered Côte d'Ivoire in 2013. She then decided on her unconditional and professional artistic commitment.


Artist, woman, western. Yaël lived in the cradle of humanity for 8 years. She looks at the traces of the colonial past, of France Africa.

Côte d'Ivoire seems to him to be plundered by an icy system where money is only the engine of all decisions.

She asks forgiveness for all these past, present and future crimes. It's like "an official restitution" of works for her, her duty as an artist begins there.

She wants to wash humanity, repair wounds, make them less painful.


Today, having returned to France for a few months, she chooses the Clitoris as a symbol of evolution, to repair mutilated and abused bodies and hearts.

The Clitoris is the female organ, dedicated solely to pleasure. He too is in the shadows.

Nature has so decided. With clitoral artistic creations, abused women (and men) could find a voice in that of her Art.

A way towards the recognition of their suffering and, by sublimation, of their being.

We are desiring and desired beings.

The abused could find their way there without being drowned in the whirlwind of ephemeral and superficial media revelations.

We cut what exceeds to "look pretty" and enter the norm. For "well-thinking".
She wishes to put this creation of unlimited Clitoris at the service of Equality.

So that the message takes on its full meaning.

Do not take power but open up to the freedom to be, to choose one's place in society.

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