ÉROS III (2018) Painting by Yaël Moon

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  • Original Artwork (One Of A Kind) Painting, Acrylic on Wood
  • Dimensions Height 47.2in, Width 29.5in
  • Framing This artwork is not framed
  • Categories Paintings under $5,000 Figurative
La caresse a le pouvoir de matérialiser le corps de l’homme, les yeux du couple sont fermés , vous êtes invités à ressentir ce qu’ils ressentent. Cette fois il y a un mouvement en plus de la répétition des collages et motifs … Je commence à utiliser le scalpel… La précision et l’effet de révélation lorsque j’ai fini[...]
La caresse a le pouvoir de matérialiser le corps de l’homme, les yeux du couple sont fermés , vous êtes invités à ressentir ce qu’ils ressentent.

Cette fois il y a un mouvement en plus de la répétition des collages et motifs …

Je commence à utiliser le scalpel…
La précision et l’effet de révélation lorsque j’ai fini de découper exerce une fascination intense.
La suggestion d’une certaine violence dans l’érotisme.

La dentelle se soulève et révèle la PEAU, fragile ?
Pourtant c’est le bouclier du Corps.
Elle a la puissance de procurer un intense désir quand on la touche, et à l’inverse provoquer une révulsion totale sous un autre touché, un touché non consenti …

Le Mouvement diagonal de la caresse pour la question :
Sommes-nous opposés ou complémentaires ?
Par l’écoute du corps de l’autre, l’opposition devient apprivoisée, comme le corps de l’autre, comme son propre corps .
Le mouvement pour donner et recevoir, pour exprimer et écouter, aimer et être aimé.

Peinture acrylique sur morceaux de pagnes collés sur bois
Satin, dentelles,
vernis

Related themes

AcryliquePeintureTissusWaxDentelles

Automatically translated
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At 18, driven by the need to travel and the desire for independence, Yaël continued her studies in the Merchant Navy. The closed environment awakens his practice of drawing; the maritime landscape, his[...]

At 18, driven by the need to travel and the desire for independence, Yaël continued her studies in the Merchant Navy.

The closed environment awakens his practice of drawing; the maritime landscape, his taste for observation.

She changed course and made her way into artistic practice and art therapy.

Yaël leaves with her family for Gabon, meets a team of psychologists who offer her the opportunity to put her knowledge in Art therapy into practice.

A storytelling-therapeutic workshop is set up and is complemented by individual artistic mediation sessions for children with specific needs.

Yaël discovered Côte d'Ivoire in 2013. She then decided on her unconditional and professional artistic commitment.


Artist, woman, western. Yaël lived in the cradle of humanity for 8 years. She looks at the traces of the colonial past, of France Africa.

Côte d'Ivoire seems to him to be plundered by an icy system where money is only the engine of all decisions.

She asks forgiveness for all these past, present and future crimes. It's like "an official restitution" of works for her, her duty as an artist begins there.

She wants to wash humanity, repair wounds, make them less painful.


Today, having returned to France for a few months, she chooses the Clitoris as a symbol of evolution, to repair mutilated and abused bodies and hearts.

The Clitoris is the female organ, dedicated solely to pleasure. He too is in the shadows.

Nature has so decided. With clitoral artistic creations, abused women (and men) could find a voice in that of her Art.

A way towards the recognition of their suffering and, by sublimation, of their being.

We are desiring and desired beings.

The abused could find their way there without being drowned in the whirlwind of ephemeral and superficial media revelations.

We cut what exceeds to "look pretty" and enter the norm. For "well-thinking".
She wishes to put this creation of unlimited Clitoris at the service of Equality.

So that the message takes on its full meaning.

Do not take power but open up to the freedom to be, to choose one's place in society.

See more from Yaël Moon

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