Dancing figure-4 (2009) Digital Arts by Ved Nayar

Drawing for me is a complete expression and a vehicle to arrive at my sculpture and at my painting. My drawing, to me, is an assurance. These drawings begin to exist independently and along with my sculptures and paintings. My concern in the drawing, in sculpture and in painting, is human figure or human face. Elements of environment and concern, I feel, are needed to surround these to provide them context, stature, validity and contemporariness. I draw, when a compulsion ceases me. I draw more by instinct rather than by the tenants of formal training to draw, with any instrument or tool capable of drawing. The operation starts with a dot or a line or a blot created with the help of a medium. Then a coordination of instinct, fingers, holding the tool or a brush and the medium develops. During this process, a moment comes when a ray of energy flows out of my inner self, through my fingers to the drawing. The drawing is complete and I recognise it — some part of my creativity and emotion gets intensely infused in the drawing. The erotic in the drawings has symbolic presence similar to Shivling in the temple or the allotted location of panels of erotic sculptures in the scheme of the structure of a temple to guide the devotee, through indulgence, to fulfillment of life circle on earth and after.

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Then A Coordination Of InstinctFingersHolding The Tool Or A Brush And The Medium Develops.