"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
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1184 px | ||
1500 px |
Dimensions of the file (px) | 1184x1500 |
Use worldwide | Yes |
Use on multi-support | Yes |
Use on any type of media | Yes |
Right of reselling | No |
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Products intended for sale | No |
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All images on Artmajeur are original works of art created by artists, all rights are strictly reserved. The acquisition of a license gives the right to use or exploit the image under the terms of the license. It is possible to make minor modifications such as reframing, or refocusing the image so that it fits perfectly to a project, however, it is forbidden to make any modification that would be likely to harm the original work In its integrity (modification of shapes, distortions, cutting, change of colors, addition of elements etc ...), unless a written authorization is obtained beforehand from the artist.
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Art image bank-
This work is an "Open Edition"
Digital Arts,
Giclée Print / Digital Print
- Dimensions Several sizes available
- Several supports available (Fine art paper, Metal Print, Canvas Print)
- Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
- Categories Impressionism
Artiste: Auguste Renoir (Français, Limoges 1841-1919 Cagnes-sur-Mer)
Date: 1883
Renoir a probablement peint ce travail dans son studio, posant son modèle et future épouse, Aline Charigot, dans une chaise en osier. La plage derrière elle représente probablement la côte normande près de Dieppe. Cette toile reflète l'impact du voyage de Renoir en Italie en 1881-82, ce qui l'a inspiré à unir la «grandeur et simplicité» qu'il admirait dans l'art de la Renaissance avec la luminosité de l'impressionnisme. Sa nouvelle approche, qu'il appelait sa manière «sèche», est évidente dans le visage d'Aline, avec ses traits soigneusement dessinés et sa douce manipulation de la peinture. Le mélange de traits rapides en arrière-plan, cependant, montre la technique plus libre des années antérieures de Renoir.
By the Seashore
Artist: Auguste Renoir (French, Limoges 1841–1919 Cagnes-sur-Mer)
Date: 1883
Renoir likely painted this work in his studio, posing his model and future wife, Aline Charigot, in a wicker chair. The beach behind her probably represents the Normandy coast near Dieppe. This canvas reflects the impact of Renoir’s trip to Italy in 1881–82, which inspired him to unite the “grandeur and simplicity” he admired in Renaissance art with the luminosity of Impressionism. His new approach, which he called his “dry” manner, is evident in Aline’s face, with its carefully drawn features and smooth handling of paint. The medley of quick strokes in the background, however, displays the freer technique of Renoir’s earlier years.
Related themes
Auguste RenoirImpressionnismeModernismePoster RenoirPoster Impressionnisme
Tito Villa, an ascending creative artist of international stature, embodies a fascinating mix of artistic paradoxes. His career is marked by a quiet confidence, forged by multiple experiences, and a unique style that bears the mark of a true creator.
Tito Villa is a versatile artist, capable of expressing himself through various artistic mediums. He is a painter, sculptor, engraver, designer and photographer. His fame extends well beyond borders, making him a visual artist of international stature. He explores a multitude of forms of artistic expression, leaving each with its own distinct mark.
A love of art has always been at the heart of Tito Villa's life, a passion that took root in his childhood and continued to flourish throughout his life. His training at the Beaux-Arts in Bordeaux, France, was a springboard towards the exploration of different artistic dimensions, including large format painting, video, photography, graphic art and art history.
Tito Villa's work has been exhibited in prestigious venues around the world, such as the Musée d'Art Contemporain de Bordeaux in France, the Musée National d'Art Moderne du Center Georges Pompidou in Paris, the Art Gallery of New South Wales in Sydney, Australia during the 8th Sydney Biennale, the Museum of Contemporary Art in Chicago in the United States, the Institute of Contemporary Art in Boston in the United States, the Venice Biennale in Italy, the National Museum of Modern Art in Kyoto and Tokyo in Japan, as well as in New Orleans in the United States, Valencia in Spain and the Museo Nacional Centro de Arte Reina Sofia in Madrid in Spain.
Tito Villa is an artist who transcends the limits of artistic creation, bringing his unique vision to the world of contemporary art. His impressive career and undisputed talent make him an essential figure on the international art scene.
- Nationality: FRANCE
- Date of birth : 1964
- Artistic domains:
- Groups: Contemporary French Artists