Blue Notes #3 (2022) Painting by Tim Malone

Not For Sale

Seller Tim Malone

Fine art paper, 9x8 in
Blue Notes #2 is one painting in a three part series of acrylic and graphite abstract artworks using shades of blue and grey - colours that are often representative of depression or sadness. These tones, juxtaposed with vibrant, energetic and dynamic brush strokes are designed to generate similar feelings in the viewer. Painted in several layers and[...]
Blue Notes #2 is one painting in a three part series of acrylic and graphite abstract artworks using shades of blue and grey - colours that are often representative of depression or sadness. These tones, juxtaposed with vibrant, energetic and dynamic brush strokes are designed to generate similar feelings in the viewer. Painted in several layers and with accents of graphite and black paint, these non-objective paintings make for wonderful wall art.

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Abstract AcrylicAbstract ArtAbstractionAcrylic ArtWall Art

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Tim Malone studied Fine Art in South Africa and subsequently worked as an award-winning advertising art and creative director for almost 40 years. Now that experience defines his artistic process. His approach[...]

Tim Malone studied Fine Art in South Africa and subsequently worked as an award-winning advertising art and creative director for almost 40 years. Now that experience defines his artistic process. His approach to painting reflects the process in which layouts for print advertising are developed; any addition, deletion or amendment made to any part of the work impacts every other part. This means that solving one design problem often creates others, until a balanced result is finally achieved.

While Tim’s work is sometimes non-objective, it is always influenced by the social complexities, colours, shapes and textures of the places he’s lived and worked – South Africa, Saudi Arabia, England and Portugal.

Tim works in acrylic on canvas, paper and board, creating details using a variety of other media. Much of his work is  preference being hot-pressed watercolour paper, which is slightly absorbent, but allows the paint to be moved over the surface with relative ease.

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