Les repousses d'Emily (2020) Drawing by Stewart Fletcher

Ink on Paper, 7x5 in
$197.81
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  • Original Artwork (One Of A Kind) Drawing, Ink on Paper
  • Dimensions Height 7in, Width 5in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Drawings under $500 Figurative
Like faces, no two vulvas or penises are alike. I consider these erotic drawings of vulvas as portraits of the models who posed for these works. These drawings are intentionally fragile, intimate and personal. The interpretation of these drawings is up to the viewer as this kind of realism comes with the understanding that these works[...]
Like faces, no two vulvas or penises are alike. I consider these erotic drawings of vulvas as portraits of the models who posed for these works.

These drawings are intentionally fragile, intimate and personal. The interpretation of these drawings is up to the viewer as this kind of realism comes with the understanding that these works were created because the model decided to share something very personal and private with the artist. This drawing is part of my “Parts Project” started several decades ago.

This drawing is created in Rapidograph ink on 140 lb Arches watercolor paper.

I provide a certificate of authenticity.

Title: Emily's Regrowth
Dimensions: 5 x 7 inches
Medium: Ink on paper

Related themes

VulveVulvesVaginChatteChattes

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Stewart Fletcher’s paintings, drawings and works on paper have been the subject of numerous solo and group exhibitions over the past forty years. His paintings, drawings and works on paper are part of several[...]

Stewart Fletcher’s paintings, drawings and works on paper have been the subject of numerous solo and group exhibitions over the past forty years. His paintings, drawings and works on paper are part of several private international collections in over 20 countries and in 36 American States.


Known for his fascination with the human body, Fletcher explores various concepts beyond the representational image. The great equalizer he believes is when one's clothing is removed. All identifiers and societal statuses disappear and the real person appears.

 Fletcher does not believe that his work is erotic, however some people do because of their social, religious and regional upbringing. He often uses humour and satire to convey his views on the world around him.

See more from Stewart Fletcher

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