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I Figli (2023) Drawing by Stefano Galli
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Original Artwork (One Of A Kind)
Drawing,
Pastel
/
Ballpoint pen
on Paper
- Dimensions Height 12.2in, Width 16.1in
- Artwork's condition The artwork is in perfect condition
- Framing This artwork is not framed
- Categories Drawings under $500 Conceptual Art Love
Fu così che, per un certo numero di anni i robot, sfruttando quel po’ di autonomia che gli era
concessa, vissero imitando quello che in passato era il modo di fare degli umani; questo periodo lo
catalogammo come era della moda filiale; dal punto di vista comportamentale dei robot, fu
talmente deleterio che ancora oggi ne avvertiamo le conseguenze.
Gli umani, ancora non del tutto abbruttiti, sfruttavano per quanto fosse possibile, le carenze
interpretative dello statuto, semplicemente offrendo come essenziale il vestirsi, il nutrirsi, il
divertirsi, pur sapendo che tutto ciò era imitato nella più completa insensibilità.
Uno degli aspetti più curiosi di quanto si era determinato, fu l’adozione di esseri umani da parte di
famiglie robot. Si era infatti da un po’ di tempo affermata la moda da parte dei robot, di adottare
robot giovani dichiarandoli figli. In questo complesso di cose si erano infilati con destrezza,
individui di dubbia moralità che, intenzionati di vivere a sbafo per anni, anticipavano gli adottati,
infilandosi nelle culle prima del tempo.
I robot, avendo termini di vita molto lontani e scarse capacità critiche, non consideravano sospetta
la trasformazione fisica dei loro così detti figli, pertanto li nutrivano, vestivano ed accudivano nel
migliore dei modi.
Ci vollero molti anni prima che il sistema centrale si insospettisse a causa delle notevoli quantità,
di cibo ed alcolici consumati dai sempre imberbi pseudo robot.
Le adozioni furono formalmente vietate, ma in realtà proseguirono per molto tempo.
Related themes
Stefano Galli, born in 1950 in Falconara Marittima and nurtured amidst the dynamic milieu of Milan, seamlessly intertwines his artistic and scientific pursuits. Refusing to perceive a schism between the foundational principles of industrial and civil design and his lifelong commitment to art, Galli embarked on a journey where creativity and functionality coalesce.
Drawing inspiration from futurism, metaphysics, and surrealism, Galli's paintings bear the unmistakable imprint of these influential artistic movements, all while maintaining a distinct connection to the world of comics. His artistic vision transcends mere visual representation, delving into the realm of narrative composition. Themes, rich with inspiration, serve as the scaffolding upon which he constructs intricate narrative paths, often intertwining stories with images. Renowned art critic Prof. Philippe Daverio characterizes Galli's artistic expression as "meta-real," a playful manipulation of reality that distorts visual perception while affirming a concept of continuity between opposing forces—between the above and the below, the inside and the outside.
The evolution of Galli's painting unfolds as a nuanced exploration of interiors and exteriors in both space and time. His canvases feature perspectives dramatically altered to convey the absence of traditional spatial and temporal constraints, offering a singular tableau where deformation begets multiple viewpoints. In his hands, the canvas becomes a storytelling medium, akin to comic strips, allowing viewers to transcend time with a single glance. Galli emerges as a modern storyteller, utilizing the language of painting to present a dynamic fusion of narratives seen through the lens of art.
Galli's artistic triumphs have found homes in numerous collections across Italy and beyond. His works grace the walls of private collectors in Switzerland, France, Belgium, Germany, England, Spain, Russia, and the United Arab Emirates.
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Nationality:
ITALY
- Date of birth : 1950
- Artistic domains:
- Groups: Contemporary Italian Artists
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