Terra di confine (2017) Painting by Stefano Galli

Acrylic on Canvas, 35.4x35.4 in
$6,543.42
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Terra di confine Mio fratello uscì dalla porta posteriore di casa per rovesciare l’immondizia nel bidone del compost e così, senza chiederlo, si trovò arruolato nell’esercito del Duca Von Brassen, i confini del cui stato comprendevano il nostro cortile; io invece, messa in spalla la sacca e la canna da pesca, imboccato il viottolo del[...]
Terra di confine

Mio fratello uscì dalla porta posteriore di casa per rovesciare l’immondizia nel bidone del compost e così, senza chiederlo, si trovò arruolato nell’esercito del Duca Von Brassen, i confini del cui stato comprendevano il nostro cortile; io invece, messa in spalla la sacca e la canna da pesca, imboccato il viottolo del torrente, fui placcato ed arruolato in quello della Grande Alleanza Occidentale.
Io e mio fratello eravamo nemici.
La guerra in trincea era piuttosto scomoda anche se avveniva nei pressi di casa mia; in pratica combattevo per difendere il confine dello stato che comprendeva metà della mia casa e l’aia di fronte.
Spesso pensavo a mio fratello che combatteva nell’altra trincea e che, più di una volta, mi parve di vedere, di schiena, strisciare nella ridotta, velocemente, come una anguilla.
Una notte, in un momento propizio, ebbi il coraggio di chiamarlo, a basa voce: “Ninetto, Ninetto”, e Ninetto mi rispose: “Luigi sei tu?”.
Ci dicemmo tante cose che è inutile ripetere perché interessavano solo noi e che non ricordo con precisione, mi ricordo solo che Ninetto aveva fame, allora gli lanciai la mia pagnotta senza dirgli che avevo fame anch’io.

Related themes

GuerraTrinceaImmaginazioneSognoStoria

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Stefano Galli, born in 1950 in Falconara Marittima and nurtured amidst the dynamic milieu of Milan, seamlessly intertwines his artistic and scientific pursuits. Refusing to perceive[...]

Stefano Galli, born in 1950 in Falconara Marittima and nurtured amidst the dynamic milieu of Milan, seamlessly intertwines his artistic and scientific pursuits. Refusing to perceive a schism between the foundational principles of industrial and civil design and his lifelong commitment to art, Galli embarked on a journey where creativity and functionality coalesce.

Drawing inspiration from futurism, metaphysics, and surrealism, Galli's paintings bear the unmistakable imprint of these influential artistic movements, all while maintaining a distinct connection to the world of comics. His artistic vision transcends mere visual representation, delving into the realm of narrative composition. Themes, rich with inspiration, serve as the scaffolding upon which he constructs intricate narrative paths, often intertwining stories with images. Renowned art critic Prof. Philippe Daverio characterizes Galli's artistic expression as "meta-real," a playful manipulation of reality that distorts visual perception while affirming a concept of continuity between opposing forces—between the above and the below, the inside and the outside.

The evolution of Galli's painting unfolds as a nuanced exploration of interiors and exteriors in both space and time. His canvases feature perspectives dramatically altered to convey the absence of traditional spatial and temporal constraints, offering a singular tableau where deformation begets multiple viewpoints. In his hands, the canvas becomes a storytelling medium, akin to comic strips, allowing viewers to transcend time with a single glance. Galli emerges as a modern storyteller, utilizing the language of painting to present a dynamic fusion of narratives seen through the lens of art.

Galli's artistic triumphs have found homes in numerous collections across Italy and beyond. His works grace the walls of private collectors in Switzerland, France, Belgium, Germany, England, Spain, Russia, and the United Arab Emirates.

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