Metropole (2009) Painting by Soissong

Soissong transfigures reality and walks between rationality and emotion. She dialogues through color and promotes a calm and balanced transformation. The mastery of the density of the paint to flow and the timely gradation of the light suggest ambiguous forms, apparently loose, fitted according to their own movement. The artist inverts the natural and rational order of the elements, the images appear arbitrarily fragmented, as in dreams. Her language maintains a naturalness behind the absurd, preserves a principle of unity and order, beyond confusion and chaos. Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. Western art had been, from the Renaissance up to the middle of the 19th century, underpinned by the logic of perspective and an attempt to reproduce an illusion of visible reality. By the end of the 19th century many artists felt a need to create a new kind of art which would encompass the fundamental changes taking place in technology, science and philosophy. The sources from which individual artists drew their theoretical arguments were diverse, and reflected the social and intellectual preoccupations in all areas of Western culture at that time. Abstract art, non-figurative art, non-objective art, and non-representational art, are closely related terms. They are similar, but perhaps not of identical meaning.

• Nationality: FRANCE
• Date of birth : unknown date
• Artistic domains: Represented by a Gallery,
• Groups: Contemporary French Artists Artists presented by a gallery