O tempo que me resta (2023) Painting by Ritchelly Oliveira

Acrylic on Canvas, 19.7x19.7 in
$7,064.46
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O Tempo Que Me Resta, 2023. Charcoal and Acrylic on Canvas. 50 x 50 cm / 13.8 x 13.8 in. A meditation on time, introspection, and impermanence, O Tempo Que Me Resta by Ritchelly Oliveira is a deeply evocative piece that merges realism with poetic abstraction. This circular composition presents a contemplative figure, resting in thought, partially obscured [...]
O Tempo Que Me Resta, 2023
Charcoal and Acrylic on Canvas
50 x 50 cm / 13.8 x 13.8 in
A meditation on time, introspection, and impermanence, O Tempo Que Me Resta by Ritchelly Oliveira is a deeply evocative piece that merges realism with poetic abstraction. This circular composition presents a contemplative figure, resting in thought, partially obscured by the dynamic presence of a bird in motion. The monochromatic rendering, enriched with subtle textures and intricate shading, invites the viewer into a quiet yet profound dialogue between stillness and flight.
Oliveira’s work is distinguished by his masterful use of charcoal, creating depth and contrast that feel almost sculptural. The seamless integration of the figure and bird suggests themes of memory, transition, and fleeting moments. The unconventional cut of the canvas further enhances the organic quality of the piece, making it stand out in both form and composition.
This painting is an exquisite example of Ritchelly Oliveira’s ability to balance technical precision with raw emotion. The intimate scale (50 cm diameter) allows for close engagement with the details, making it a striking addition to any collection. His works resonate with collectors who appreciate narrative-driven art—pieces that invite reflection and evolve in meaning over time.
The artwork is in impeccable condition, created using high-quality charcoal and acrylic on canvas. The contrast between deep blacks, soft greys, and delicate highlights gives it a tactile richness. The edges are finished, and the piece can be displayed as-is or framed according to preference.
Ritchelly Oliveira explores the tension between presence and absence, human emotion, and the natural world. O Tempo Que Me Resta reflects his signature approach—an interplay between hyperrealistic drawing and expressive abstraction. It is an invitation to pause and consider the passing of time, the weight of thought, and the delicate balance between rest and movement.

Related themes

Poetic SurrealismBirdsBirdHuman BodyMan

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Artist represented by Tilsitt Gallery
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Ritchelly Oliveira, born in 1993 in Brazil, is a visual artist who studied visual arts at the Federal University of Goiás (UFG). He began his professional journey in the plastic arts in 2012 and has since [...]

Ritchelly Oliveira, born in 1993 in Brazil, is a visual artist who studied visual arts at the Federal University of Goiás (UFG). He began his professional journey in the plastic arts in 2012 and has since developed a distinctive approach to exploring the human figure. Oliveira’s work delves into what he perceives as the deepest aspects of affective relationships, particularly the concept of love. He views love as a universal feeling, yet one that remains deeply individual and personal, often tied to emotional wounds that may never fully heal. His art speaks to the courage required to navigate emotional experiences and the complexities of human connection.

Over the years, Ritchelly Oliveira has gained recognition in the art world, with his works exhibited in both Brazil and the United States, and featured in various international magazines. He believes that portraits act as fingerprints in our minds, allowing us to explore the connections between love, family, and daily experiences. For Oliveira, the portrait serves as a way to both honor presence and address absence, helping to bridge the gap between the living and the departed. His process also allows viewers to identify with the emotions conveyed through these intimate depictions.

Some of his portraits are intentionally unfinished, reflecting the idea that, much like human beings, we are constantly evolving and carrying unanswered questions and unfulfilled desires. These gaps in his work invite new interpretations and meanings, embracing the potential of the unfinished. Although Oliveira’s work now primarily aligns with realism, he stresses that this style emerged organically and without pretense, becoming a natural part of his artistic expression.

The Artist was highlighted in an article in ArtMajeur Magazine:

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