The Waiting (2025) Painting by Ritchelly Oliveira

Acrylic on Canvas, 47.2x35.4 in
$11,686.28
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This artwork appears in 6 collections
"The Waiting" by Ritchelly Oliveira, 2025. Charcoal and Acrylic on Canvas | 120 x 90 cm (47.2 x 35 in). A profound exploration of time, solitude, and introspection, "The Waiting" by Ritchelly Oliveira is a visually arresting piece that merges hyperrealism with surrealist elements. The figure, seated in a moment of quiet contemplation, is enveloped [...]
"The Waiting" by Ritchelly Oliveira, 2025
Charcoal and Acrylic on Canvas | 120 x 90 cm (47.2 x 35 in)
A profound exploration of time, solitude, and introspection, "The Waiting" by Ritchelly Oliveira is a visually arresting piece that merges hyperrealism with surrealist elements. The figure, seated in a moment of quiet contemplation, is enveloped by birds in flight—symbols of thought, escape, and inner turbulence. The rich, earthy background intensifies the monochromatic rendering, creating a contrast that heightens the emotional depth of the work.
• The seamless interaction between human form and nature blurs the boundary between reality and metaphor, suggesting themes of transition, patience, and reflection.
• Oliveira’s masterful control of charcoal lends a sculptural quality to the figure, while the acrylic-painted birds appear almost weightless, enhancing the sense of movement.
• The ochre-toned background enriches the composition, adding warmth and grounding the subject within a timeless, dreamlike space.
• Ritchelly Oliveira is recognized for his ability to capture human emotion with a poetic, thought-provoking approach. His work resonates deeply with those who appreciate art that transcends the figurative.
• The monochromatic detailing combined with the striking background makes this an impactful piece that commands attention in any setting.
• The artwork is in excellent condition, professionally stretched on a high-quality canvas, and ready for immediate display.
In "The Waiting", Oliveira explores the emotional weight of anticipation. The figure, caught between stillness and motion, represents the universal experience of waiting—whether for change, resolution, or understanding. The birds, fluid and restless, contrast with the grounded pose, emphasizing the tension between physical presence and wandering thoughts.
"The Waiting" is a deeply expressive and contemplative work, a reminder of the passage of time and the silent conversations we have with ourselves in moments of stillness.

Related themes

Poetic SurrealismLoveHuman BodyHuman ConnectionsAnimals

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Artist represented by Tilsitt Gallery
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Ritchelly Oliveira, born in 1993 in Brazil, is a visual artist who studied visual arts at the Federal University of Goiás (UFG). He began his professional journey in the plastic arts in 2012 and has since [...]

Ritchelly Oliveira, born in 1993 in Brazil, is a visual artist who studied visual arts at the Federal University of Goiás (UFG). He began his professional journey in the plastic arts in 2012 and has since developed a distinctive approach to exploring the human figure. Oliveira’s work delves into what he perceives as the deepest aspects of affective relationships, particularly the concept of love. He views love as a universal feeling, yet one that remains deeply individual and personal, often tied to emotional wounds that may never fully heal. His art speaks to the courage required to navigate emotional experiences and the complexities of human connection.

Over the years, Ritchelly Oliveira has gained recognition in the art world, with his works exhibited in both Brazil and the United States, and featured in various international magazines. He believes that portraits act as fingerprints in our minds, allowing us to explore the connections between love, family, and daily experiences. For Oliveira, the portrait serves as a way to both honor presence and address absence, helping to bridge the gap between the living and the departed. His process also allows viewers to identify with the emotions conveyed through these intimate depictions.

Some of his portraits are intentionally unfinished, reflecting the idea that, much like human beings, we are constantly evolving and carrying unanswered questions and unfulfilled desires. These gaps in his work invite new interpretations and meanings, embracing the potential of the unfinished. Although Oliveira’s work now primarily aligns with realism, he stresses that this style emerged organically and without pretense, becoming a natural part of his artistic expression.

The Artist was highlighted in an article in ArtMajeur Magazine:

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