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The Girl in the Feather Canyons (2023) Painting by Ritchelly Oliveira
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Original Artwork (One Of A Kind)
Painting,
Acrylic
/
Charcoal
on Canvas
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Dimensions
38.2x30.7 in
Dimensions of the work alone, without framing: Height 36.6in, Width 29.1in - Artwork's condition The artwork is in perfect condition
- Framing This artwork is framed
- Categories Paintings under $20,000 Figurative Love
Surrounding the woman are a flock of white doves, their graceful forms suspended in mid-air as they encircle her. These birds, traditionally symbolic of peace and freedom, take on a deeper significance within Oliveira's work. In his artistic interpretation, birds represent weaknesses, embodying the delicate aspects of human experience that render us vulnerable and exposed.
Notably, the birds in Oliveira's painting are depicted without legs, forever suspended in flight and unable to land. This imagery serves as a powerful metaphor for the perpetual nature of vulnerability and fragility, highlighting how these qualities are inherent to the human condition and persistently shape our lives.
Through his masterful use of color, composition, and symbolism, Oliveira invites viewers to contemplate the complexities of inner strength and vulnerability. "The Girl in Feather Canyons" serves as a poignant reminder of the resilience found within moments of solitude and self-reflection, offering a glimpse into the tender complexities of the human spirit.
Ritchelly Oliveira, born in 1993 in Brazil, is a visual artist who studied visual arts at the Federal University of Goiás (UFG). He began his professional journey in the plastic arts in 2012 and has since developed a distinctive approach to exploring the human figure. Oliveira’s work delves into what he perceives as the deepest aspects of affective relationships, particularly the concept of love. He views love as a universal feeling, yet one that remains deeply individual and personal, often tied to emotional wounds that may never fully heal. His art speaks to the courage required to navigate emotional experiences and the complexities of human connection.
Over the years, Ritchelly Oliveira has gained recognition in the art world, with his works exhibited in both Brazil and the United States, and featured in various international magazines. He believes that portraits act as fingerprints in our minds, allowing us to explore the connections between love, family, and daily experiences. For Oliveira, the portrait serves as a way to both honor presence and address absence, helping to bridge the gap between the living and the departed. His process also allows viewers to identify with the emotions conveyed through these intimate depictions.
Some of his portraits are intentionally unfinished, reflecting the idea that, much like human beings, we are constantly evolving and carrying unanswered questions and unfulfilled desires. These gaps in his work invite new interpretations and meanings, embracing the potential of the unfinished. Although Oliveira’s work now primarily aligns with realism, he stresses that this style emerged organically and without pretense, becoming a natural part of his artistic expression.
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Nationality:
PORTUGAL
- Date of birth : 1993
- Artistic domains: Represented by a Gallery,
- Groups: Contemporary Portuguese Artists Artists presented by a gallery
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