Photography titled "La novia de Guadalu…" by Guy Rieutort, Original Artwork, Analog photography

La novia de Guadalupe Photography by Guy Rieutort

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This work is an "Open Edition" Photography, Giclée Print / Digital Print on Paper

Artworks classification

Open Edition

The edition run continues. The production of new works is ongoing. These may be numbered. This includes works made-to-order, or prints on demand.
Dimensions Several sizes available
Several supports available (Fine art paper, Metal Print, Canvas Print)
Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
Categories Figurative

Monasterio de Nuestra Señora de Guadalupe, Extremadura Une femme apparut, de dos, élégante, en robe de mariée, se déplaçant rapidement dans un couloir aux ombres suggestives. La lumière filtrant à la gauche de la photo m’intrigua. Puis ce fut le tour de la première arche à droite, dans laquelle, capricieusement, la silhouette de la belle ne se projette pas entièrement au sol. Mais lorsqu’on porte le regard sur le mur, on croit deviner un visage masculin : celui du photographe ? Cette ombre à la fois l’observe et la poursuit. « Musée de peinture et de sculpture ». Que fuit cette femme ? Pourquoi est-elle ainsi vêtue dans un musée ? Quelle heure est-il ? Sans doute 5 h du soir. Je me glisse dans les profondeurs de l’image, dans l’intimité du photographe, afin de suivre l’élan du corps de la Belle chaloupant à l’envi, noblement hissée sur les talons fripons, pour une nouvelle version d’Alice au Pays des Merveilles. ( Maria Castro, écrivaine. San José de Costa Rica 2000 )

Monasterio de Nuestra Señora de Guadalupe, Extremadura Una mujer apareció, de espaldas, elegante, con un vestido de novia, moviéndose rápidamente por un pasillo con sombras sugestivas. La luz filtrante a la izquierda de la foto me intrigó. Luego fue el turno del primer arca a la derecha, en la que, caprichosamente, la silueta de la bella no se proyecta totalmente al suelo. Pero cuando miras a la pared, crees que puedes adivinar un rostro masculino: ¿el del fotógrafo? Esta sombra a la vez la observa y la persigue. «Museo de pintura y escultura». ¿De qué huye esta mujer? ¿Por qué está vestida así en un museo? ¿Qué hora es? Probablemente a las cinco de la noche. Me meto en las profundidades de la imagen, en la intimidad del fotógrafo, para seguir el impulso del cuerpo de la Guapa noblemente levantada sobre los talones fripons, para una nueva versión de Alice en el País de las Maravillas. (María Castro, escritora. San José de Costa Rica 2000)

Related themes

Black And White

Guy Rieutort

France

Guy Rieutort, artist living and working in Montpellier, is a photographer and author who has an overflowing passion for painting. For him, these two artistic disciplines intertwine harmoniously, merging colors, compositions, lights and energies, each treated with a unique sensitivity and influenced by his experience of the world around him.

Guy Rieutort's photographs and paintings intertwine, sometimes confront each other, but always complement each other to create a captivating artistic dialogue. As Catherine Vautrin pointed out, they form a coherent whole where creativity flourishes through different forms of visual expression.

In his series entitled "Arte digital", Guy Rieutort offers an artistic journey oscillating between photographic realism and the alternative expression of intuitive drawing. His prints, in 20 x 30 cm format, come to life on Hahnemühle William Turner 310 g/m² paper, carefully framed under a mat.

The artist also explores a lighter series, featuring caricatures which maliciously shake up our contemporaries in French entertainment society. These creations reflect his satirical vision and sharp sense of humor, offering a playful look at our times.

Constantly seeking inspiration and artistic innovation, Guy Rieutort continues to push the boundaries of photography and painting, creating a unique and constantly evolving artistic legacy.