quentinha (2022) Photography by Renato Cardoso

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  • This work is an "Open Edition" Photography, Giclée Print / Digital Print
  • Dimensions Several sizes available
  • Several supports available (Fine art paper, Metal Print, Canvas Print)
  • Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
  • Categories Figurative Everyday Life
Estava preparando o café da manhã, fiz quatro panquecas adocicadas, duas para minha esposa, igual para mim. Chamou minha atenção a bela marca marrom da panqueca tostada na frigideira levemente untada com óleo de coco. Não houve nenhum preparo para fazer a foto. [...]
Estava preparando o café da manhã, fiz quatro panquecas adocicadas, duas para minha esposa, igual para mim. Chamou minha atenção a bela marca marrom da panqueca tostada na frigideira levemente untada com óleo de coco. Não houve nenhum preparo para fazer a foto.

Related themes

Café Da ManhãPanquecaTostada

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For as long as I can remember, I've been standing close to the desk where my father, under a slightly yellow light, was pouring ink on a white sheet with a little water in it. A child can stand closer to a[...]

For as long as I can remember, I've been standing close to the desk where my father, under a slightly yellow light, was pouring ink on a white sheet with a little water in it. A child can stand closer to a bowl than an adult. So I stuck my nose in that ceramic piece that looked more like an egg carrier. And so, between one wash and another, intoxicated by the ether of the paints, I was dragged to the country of the imagination. And all this before man overcomes gravity. The moon was still virgin land. But, the seed of abstraction had fallen into the young terrain of imagination. Forty years have passed over the sleeping grain. However, even though it was covered by the sediment of the hours, something stirred with the germ, which broke the thick layer emerging in force. Since then, everything has been discovered in this afternoon wandering of creation. Watercolor was born in me.

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