les plafonds de dieu 2 (2000) Painting by Raouf Meftah

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  • Original Artwork (One Of A Kind) Painting, Acrylic on Canvas
  • Dimensions Height 118.1in, Width 78.7in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Oriental Art Abstract
COLLECTION PRIVE toile année 2000 série de 7 About this artwork: Classification, Techniques & Styles Acrylic Paint using traditional pigments[...]
COLLECTION PRIVE
toile année 2000 série de 7

Related themes

ArtsMeftahCalligraphieRaoufAbstrait

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Raouf Meftah, artiste calligraphe né en 1976, il a reçu plusieurs prix et a exposé en Tunisie, en Egypte, en France à Dubaï a Bangkok en Italie a ABU DHABI et à Monaco membre du Comité National Monégasque[...]

Raouf Meftah, artiste calligraphe né en 1976, il a reçu plusieurs prix et a exposé en Tunisie, en Egypte, en France à Dubaï a Bangkok en Italie a ABU DHABI et à Monaco

membre du Comité National Monégasque de l’AIAP auprès de l’UNESCO MONACO

Art Director ROYAL ARTS VISIONS MAGAZINE  & ROYAL MONACO 

Jury member INTERNATIONAL ART EXPO ED 2021
Jury member world fashion festival awards Dubai 2019

Second Best Arab Abstract Artist in the WORLD 2021Oscar AWARD BEST ARTIST FOR ARAB CALLIGRAPHY Dubai 2019Premier  1° GOLD PRIZE       GOLDEN PRIZE  2019 INTERNATIONAL CONTEMPORARY ART EXPO3 EME  prix international de L’UNESCO Troyes 1999Prix de la comité Du Monde Arabe Alexandria Arab League Award EGYPT 1998

His calligraphy is the fruit of this richness that challenges us. His calligraphy is unique, combined with other artistic techniques touch the heart and attracts the public’s eye through a perfect harmony between Eastern and Western artistic techniques: they create a universal art where everyone can identify and interact with these creations. The absence of the text in several calligraphies does not detract from the story told by each of his works which are a perfect marriage of curves and colors, a story that hides another in every detail and every ornament, so can we discover several episodes in the same table often well-hidden and just find the right way to interact with his work because he invites us to watch and admire his calligraphy with the heart well before our eyes. In another way the calligraphy, for him is a soul and a spirit since the painting is the fruit of the imaginary…. Dialogue with his work is to allow our soul to project us much further than the limit of our imagination. Mastering both techniques is like defining a soul to an imaginary world. This is how he challenges us and builds his own unique style.

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