LIBERTE IMPOSSIBLE (2020) Digital Arts by Pierre Peytavin

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  • This work is an "Open Edition" Digital Arts, Giclée Print / Digital Print
  • Dimensions Several sizes available
  • Several supports available (Fine art paper, Metal Print, Canvas Print)
  • Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
  • Categories Abstract
sOMMES-NOUS COMPLETEMENT LIBRES D'AGIR ? La "laîcité " est-elle possible? J'ai été enseignant dit "laîque" pendant 37 ans, j'ai 86 ans (et demi !) et à mon époque je n'aurai pas osé montrer des caricatures par souci de tranquillité , de paix Alors je n'ai pas été vraiment[...]
sOMMES-NOUS COMPLETEMENT LIBRES D'AGIR ?

La "laîcité " est-elle possible?

J'ai été enseignant dit "laîque" pendant 37 ans, j'ai 86 ans (et demi !) et à mon époque je n'aurai pas osé montrer des caricatures par souci de tranquillité , de paix Alors je n'ai pas été vraiment laïque et libre d'agir....LA LIBERTE TOTALE EST UN " mirage"....mais on a au moins la liberté de le dire...ET DE DE LE PEINDRE !!!!!!

Related themes

Liberte

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I was born in 1934. Since college age I have always drawn in a desire to communicate with the desire to do better than what I had as a model ... useful claim to surpass myself. I first reproduced according[...]

I was born in 1934. Since college age I have always drawn in a desire to communicate with the desire to do better than what I had as a model ... useful claim to surpass myself. I first reproduced according to photos of portraits of artists of my time in pencil or ballpoint pen. Not to exhibit but to furnish my leisure. Then I moved on to oil painting on canvas or any medium...To be able to pay for my supplies I "practiced" so-called "food" painting: reproductions of all kinds, postcards, landscapes of my region, even going as far as copying master paintings (ex: MILLET's gleaners, FRAGONNARD's reader, RENOIR's cake mill, LHERMITE's harvesters' pay...) Being a teacher by profession, I don't I sold my works only to invest in the material but at all times I kept the paintings which I considered to be my "personal production". My last public exhibition in Nîmes dates from 1990, and today I would like to highlight and possibly sell the hundred works that I keep.....I mainly focused on topical subjects, having a scope " universal".Ex: smoking, ecology, human relations, derision....

My guestbook is my best advocate.

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