L'ANCRE (1980) Painting by Pierre Peytavin

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Sold by Pierre Peytavin

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Sold by Pierre Peytavin

  • Original Artwork (One Of A Kind) Painting, Oil on Canvas
  • Dimensions Height 28.7in, Width 35.8in
  • Framing This artwork is not framed
  • Categories Paintings under $5,000 Figurative
Homme et Femme viennent de se rencontrer et commencent à tisser des liens et essaient de jeter l' ANCRE dans l'incertitude d'une nouvelle vie .Un amour naissant essaie tout de suite de se renforcer .Mais telle est la réalité que chacun de nous a un passé qui lui est propre et que j'ai traduit ici par des ruines ...Et l'on[...]
Homme et Femme viennent de se rencontrer et commencent à tisser des liens et essaient de jeter l' ANCRE dans l'incertitude d'une nouvelle vie .Un amour naissant essaie tout de suite de se renforcer .Mais telle est la réalité que chacun de nous a un passé qui lui est propre et que j'ai traduit ici par des ruines ...Et l'on pourra comprendre que des chaines ou cordes maintenant l'ancre , si solides soient-elles, puissent avoir ,tôt ou tard, des problèmes de résistance .
En 1980 nous étions audacieux de vouloir présumer de ce problème relationnel ...audacieux surtout de vouloir le traduire en peinture !

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AncreCordesLiens

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I was born in 1934. Since college age I have always drawn in a desire to communicate with the desire to do better than what I had as a model ... useful claim to surpass myself. I first reproduced according[...]

I was born in 1934. Since college age I have always drawn in a desire to communicate with the desire to do better than what I had as a model ... useful claim to surpass myself. I first reproduced according to photos of portraits of artists of my time in pencil or ballpoint pen. Not to exhibit but to furnish my leisure. Then I moved on to oil painting on canvas or any medium...To be able to pay for my supplies I "practiced" so-called "food" painting: reproductions of all kinds, postcards, landscapes of my region, even going as far as copying master paintings (ex: MILLET's gleaners, FRAGONNARD's reader, RENOIR's cake mill, LHERMITE's harvesters' pay...) Being a teacher by profession, I don't I sold my works only to invest in the material but at all times I kept the paintings which I considered to be my "personal production". My last public exhibition in Nîmes dates from 1990, and today I would like to highlight and possibly sell the hundred works that I keep.....I mainly focused on topical subjects, having a scope " universal".Ex: smoking, ecology, human relations, derision....

My guestbook is my best advocate.

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