Lilith (2023) Painting by Olivia Caballero González

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Sold by Olivia Caballero González

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Sold by Olivia Caballero González

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Sold by Olivia Caballero González

  • Original Artwork (One Of A Kind) Painting, Oil on Canvas
  • Dimensions 40.9x33.5 in
    Dimensions of the work alone, without framing: Height 39.4in, Width 31.9in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is framed
  • Categories Paintings under $5,000 Hyperrealism Love
"Lilith" Óleo sobre lienzo 100x81cm He de agradecer con especial cariño a la modelo el permitirme usar su fotografía, así como las muestras de ilusión durante todo el proceso. Las buenas vibraciones son básicas para seguir creando con muchas más ganas y ella me las ha transmitido con creces. Esta imagen creo que refleja[...]
"Lilith" Óleo sobre lienzo 100x81cm

He de agradecer con especial cariño a la modelo el permitirme usar su fotografía, así como las muestras de ilusión durante todo el proceso. Las
buenas vibraciones son básicas para seguir creando con muchas más ganas y ella me las ha transmitido con creces.
Esta imagen creo que refleja perfectamente (trasladada a la actualidad, por supuesto) a la deidad de Lilith en el mito sumerio: empoderamiento, sensualidad, fuerza y mucha libertad. Mitad animal, mitad humana.

Related themes

MascaraFeticheFetichismoCueroJuegos Bdsm

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My artistic curriculum is very short compared to that of other artists, and this is because it is linked to my personal biography and not to my professional one. I am a self-taught artist, born in Madrid[...]

My artistic curriculum is very short compared to that of other artists, and this is because it is linked to my personal biography and not to my professional one.

I am a self-taught artist, born in Madrid in April 1980. There is no memory since my childhood in which I have not drawn, painted or developed some type of creation related to manual art: from plasticine to DIY, including, of course, drawing and painting.< br />Since I can remember, I have been in a continuous process of artistic development and this translates into a wide variety of styles and techniques, which in many cases have evolved or disappeared.

Diversity, disorder and chaos: My works could have been done by several people with different profiles, and coexistence between them is sometimes difficult even for my eyesight, but I can't help but be inspired by different images or situations that go unnoticed or are not followed by many people. a logical order. I am a passionate woman who works by crush.

I consider myself a positive person with the environment, very self-critical with myself. I value staying in the background (and even going unnoticed) but I have the ability to always see and perceive the best in each person. My "Muses" appear and disappear around every corner.

People who really know me describe me as a real person, that is, that I am who I am at all times, without any kind of pretense or mask. Sometimes too bright and other times too quiet. I have a lot of inner life; maybe too much!

I painted my first oil at the age of seven, although by that time I had already mastered charcoal thanks to private classes that my parents were able to afford me with great effort. At eight, I began my journey in the world of children's exhibitions and competitions at the hands of great people to whom I will always be grateful.

During adolescence I devoted myself to drawing with a pen, in this case, with a surreal theme flirting with gore. Sometimes I would design tattoos for my friends. Every time someone I know from that time tells me that they remember my drawings a lot, I can't help but get emotional.

Although I have never completely given up, I took up oil painting again around 2005, taking it beyond domestic limits in 2014, that is, when I stopped painting to decorate my home and opened up again to the world of exhibitions and competitions.

Currently, art is part of my daily routine, given which is what I dedicate most of my nights to.

My works lack high artistic pretensions. I like to transmit sensations, that the observer makes his imagination work. Each work has a reason, and moments of my life and all the thoughts that accompanied me during its creation are carried in each brushstroke. They are like my little diaries.

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