Rethink - Reframe (2023) Painting by Mieke Van Os

Acrylic on Aluminium, 29.5x21.3 in
$1,928.56
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Het werk is gebaseerd op de film Die verlohrene Ehre der Katharina Blum. Een film van Margarethe von Trotta en Volker Schlöndorff (1975), geschreven door Heinrich Böll en voor het eerst gepubliceerd in 1974. Het werk is onderdeel van mijn bijdrage aan het project Linking Worlds. Bijhorend bij een gedicht met de naam Rethink Reframe. Film en boek zijn[...]
Het werk is gebaseerd op de film Die verlohrene Ehre der Katharina Blum. Een film van Margarethe von Trotta en Volker Schlöndorff (1975), geschreven door Heinrich Böll en voor het eerst gepubliceerd in 1974. Het werk is onderdeel van mijn bijdrage aan het project Linking Worlds. Bijhorend bij een gedicht met de naam Rethink Reframe. Film en boek zijn ook nu nog - of beter gezegd weer - relevant in een tijd van 'post-truth', trollen op sociale media en oplevende vrouwenhaat.

Protestkunst
In ruimere zin stelt het werk de vraag hoe iemand zich tot de problematiek wil verhouden. Wil iemand accepteren dat ze de vrijheid van meningsuiting ad absurdum opvatten en daarmee anderen eventueel zelfs in gevaar brengen door dergelijke praktijken stilzwijgend te accepteren. Het is tegelijkertijd een waarschuwing hoe geweld zich tegenwoordig kan ontwikkelen en volledig kan escaleren door de macht van de roddelpers en de sociale media.

Reused frame. Fabricas de Espajas y Lunas Biseladas (1956)

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Social MediaInvloed BoulevardpersVrouwenhaatRoddelpersProtestkunst

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I live and work in Heeze in the south of the Netherlands and I was born in Uden (1960). I followed my education in the visual field at the Hogeschool voor de Kunsten in Tilburg, at the teacher training college[...]

I live and work in Heeze in the south of the Netherlands and I was born in Uden (1960). I followed my education in the visual field at the Hogeschool voor de Kunsten in Tilburg, at the teacher training college there. My specialization was 3D work. In addition, I followed the Higher Degree in Sculpture at the Art Academy in Neerpelt, in Belgium. I further specialized in this discipline for two years. I also participate in the Graduate Project Atelier. A starting number of works has been exhibited in Belgium and online (during the COVID period). 

I usually make sculptures in the rooms of the academy, where I have a metal room, a molding room (for making molds and working with plaster and other materials) and a large workspace. Moreover, it is enriching to work there with other artists. We help each other and give each other ideas. I mainly make paintings and drawings at home. Now that the kids have moved out, I've turned their respective bedrooms into studios. Fine, I can't make large-format works there, so a studio on the ground floor with lots of light and a large passage remains a dream for the time being. 

I am a multidisciplinary artist with a focus on mixed media constructions. More and more I work with things that I find in my environment, also from a sustainability point of view. Remnants of a renovation, residual products of casting materials, pieces of stone or wood, strips of textile. It often results in a material treatment or solution that is not immediately obvious and thus gives my work individuality. I am looking for an unconventional, but traditional shape with a twist. Contemporary traditional. In my work I explore composition, the separation of plane and color, as a painter but also as a sculptor. A way of working to better study the shape. 

My sources of inspiration are very varied and versatile. Whether a work was made 500 years ago or now, I take elements from it to do something with it. Ideas also come from the production itself. The work often has a kind of rules and chaos at the same time. At first glance, my work is very diverse. On closer inspection, there is definitely a connecting line. 

My motto is: “The horizon is infinite, it only knows a limit in your head.” My goal is to further develop and explore my techniques and to experiment with (sustainable) materials, colours, shapes and sizes (!), in a combination of sculpture, painting, ceramics and textiles; I also want to focus more on research in working with plant remains and other biomaterials.

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