Enjoy the colours of the golden hour all year round. (2022) Painting by Mieke Van Os

Oil on Aluminium, 31.5x47.2 in
$2,432.55
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Geen enkele andere plaats heeft zo'n mooie avondlucht als Texel, een van de noordelijke eilanden van Nederland. Geweldig, wat een spektakel. Het Noorderlicht van de 'Lage Landen'. Dit Hollandse landschap kan je echt betoveren. Een werk dat sferisch is, net als het werk van William Turner. Het landschap is adembenemend, ongerept,[...]
Geen enkele andere plaats heeft zo'n mooie avondlucht als Texel, een van de noordelijke eilanden van Nederland. Geweldig, wat een spektakel. Het Noorderlicht van de 'Lage Landen'. Dit Hollandse landschap kan je echt betoveren.

Een werk dat sferisch is, net als het werk van William Turner. Het landschap is adembenemend, ongerept, uitgestrekt, puur en soms ook guur en stormachtig. De zonsondergang is niet te beschrijven. Oh, de gelukkigen die dit met eigen ogen mogen zien. Als dit nog niet is gebeurd, kan het nog gebeuren. U bent van harte welkom op Texel. Tot die tijd heb ik geprobeerd de zonsondergang vooru in penseelstreken vast te leggen. Met het schilderij haal je zoiets moois in huis.

De penseelstreken zijn stevig en dicht, pasteus om het stroachtige en zoute zand te benadrukken. Invloed in de penseelstreek van Van Gogh, meerdere kleurlagen, kleurschakeringen dicht bij elkaar.

Een uit duizenden. Oorspronkelijk gemaakt: 2022;
Onderwerpen: zeegezicht; Materialen: Aluminium. Geschilderd op gegrond aluminium, neutrale houten lijst antraciet gewashed hout, geen glas, klaar om op te hangen. Olieverf, pastelolie, bronspoeder, ecoline, krijtverf.

Copyright reserved. No automatic text and data mining is permitted on this artwork.

Related themes

ZeelandschapZonsondergangTexelSlufterStrand

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I live and work in Heeze in the south of the Netherlands and I was born in Uden (1960). I followed my education in the visual field at the Hogeschool voor de Kunsten in Tilburg, at the teacher training college[...]

I live and work in Heeze in the south of the Netherlands and I was born in Uden (1960). I followed my education in the visual field at the Hogeschool voor de Kunsten in Tilburg, at the teacher training college there. My specialization was 3D work. In addition, I followed the Higher Degree in Sculpture at the Art Academy in Neerpelt, in Belgium. I further specialized in this discipline for two years. I also participate in the Graduate Project Atelier. A starting number of works has been exhibited in Belgium and online (during the COVID period). 

I usually make sculptures in the rooms of the academy, where I have a metal room, a molding room (for making molds and working with plaster and other materials) and a large workspace. Moreover, it is enriching to work there with other artists. We help each other and give each other ideas. I mainly make paintings and drawings at home. Now that the kids have moved out, I've turned their respective bedrooms into studios. Fine, I can't make large-format works there, so a studio on the ground floor with lots of light and a large passage remains a dream for the time being. 

I am a multidisciplinary artist with a focus on mixed media constructions. More and more I work with things that I find in my environment, also from a sustainability point of view. Remnants of a renovation, residual products of casting materials, pieces of stone or wood, strips of textile. It often results in a material treatment or solution that is not immediately obvious and thus gives my work individuality. I am looking for an unconventional, but traditional shape with a twist. Contemporary traditional. In my work I explore composition, the separation of plane and color, as a painter but also as a sculptor. A way of working to better study the shape. 

My sources of inspiration are very varied and versatile. Whether a work was made 500 years ago or now, I take elements from it to do something with it. Ideas also come from the production itself. The work often has a kind of rules and chaos at the same time. At first glance, my work is very diverse. On closer inspection, there is definitely a connecting line. 

My motto is: “The horizon is infinite, it only knows a limit in your head.” My goal is to further develop and explore my techniques and to experiment with (sustainable) materials, colours, shapes and sizes (!), in a combination of sculpture, painting, ceramics and textiles; I also want to focus more on research in working with plant remains and other biomaterials.

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