"Serenità Abbandonata" (2024) Painting by Ludo

Oil on Canvas, 19.7x15.8 in
$788.21
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Sold by Ludo

One of a kind
Artwork signed by the artist
Certificate of Authenticity included
  • Original Artwork (One Of A Kind) Painting, Oil on Canvas
  • Dimensions Height 19.7in, Width 15.8in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Paintings under $1,000 Impressionism Spirituality
L'opera pittorica "Serenità Abbandonata" di Maria Ludovica Pennacchia è un'affascinante esplorazione dei contrasti emotivi e visivi. Con dimensioni modeste di 40 x 50 cm, l'artista riesce a catturare un mondo di intensità e complessità all'interno di questo spazio ristretto. Il cuore pulsante di questa composizione[...]
L'opera pittorica "Serenità Abbandonata" di Maria Ludovica Pennacchia è un'affascinante esplorazione dei contrasti emotivi e visivi. Con dimensioni modeste di 40 x 50 cm, l'artista riesce a catturare un mondo di intensità e complessità all'interno di questo spazio ristretto.

Il cuore pulsante di questa composizione è il serrato abbandonato, che emerge con forza dal suo stato di decadenza. I semi diroccati, testimoni silenziosi del tempo che scorre, sono resi con un tocco magistrale di dettagli e sfumature. La maestria nell'uso dell'olio permette di percepire la rugosità delle superfici e la storia che si cela dietro ogni crepa e segno del tempo.

Il principio immobile dell'opera cattura lo spettatore, trascinandolo in un viaggio emotivo attraverso i contrasti intensi. La luce del sole, filtrando attraverso le vetrate, crea giochi di ombre e luci che danzano con eleganza sulle pareti decadenti, trasmettendo una sensazione di malinconia ma anche di speranza.

I dettagli meticolosi della vegetazione rigogliosa che si fa strada attraverso le crepe del cemento abbandonato aggiungono un elemento di rinascita, suggerendo che la natura può prosperare anche in ambienti apparentemente dimenticati.

La scelta di dimensioni più contenute accentua l'intimità della scena, invitando lo spettatore a immergersi nel mondo dipinto dall'artista. Questa ridotta scala consente anche un'apprezzamento più intimo dei dettagli, evidenziando la maestria tecnica dell'artista.

In "Serenità Abbandonata", Maria Ludovica Pennacchia ha creato un'opera che va oltre la mera rappresentazione visiva. Attraverso l'uso sapiente della luce, delle ombre e dei contrasti, l'artista ha plasmato un'esperienza emotiva che invita lo spettatore a riflettere sulla bellezza che può emergere anche da contesti apparentemente dimenticati. Un capolavoro di dimensioni modeste, ma di impatto e intensità straordinari.

Related themes

SerraSpiritualitàAbbandonoPitturaOlio

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Born in Rome on 28 10 1958, where I have always studied and worked, the approach to art took place from a very young age, in practice I have always painted and drawn, I attended the Art School, continuing my[...]

Born in Rome on 28 10 1958, where I have always studied and worked, the approach to art took place from a very young age, in practice I have always painted and drawn, I attended the Art School, continuing my studies graduating in Architecture, specializing at the school of arts and crafts in Rome, and graduated in painting at the Academy of Fine Arts in Rome.

I started participating in art exhibitions and group exhibitions from a very young age, I was 14 when I did my first solo show in the gallery, exhibiting my works all over the world, and in all the most important online platforms

Painting is my passion, my intimate vision of the world, of nature within creation, brings my work to develop in a poetic and surreal narrative, in my works there is no shortage

never flowers and leaves, they represent the very essence of life, of blossoming, of continuous becoming, like a cycle that is always regenerating, this is the dynamic concept at the base of my artistic research.

Color brings joy, peace and happiness, color is my everything.

My art is the mirror of my deepest and most intimate interiority, my main artistic references, which have accompanied me all my life are, Raphael, for the elegance of his nature, Claude Monet, for the intensity of his colors , and René Magritte for his surreal environments, and last but not least, David Hockney.

I try to involve the viewer in my paintings, in order to represent not only spaces but also emotions

My art is a counter-current response not to investigate the horror of pain and suffering, but a response based on beauty, nature, on the continuous renewal of life.


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