Makinti Napanangka "Womens Hairstring Ceremony" (2008) Painting by Makinti Napanangka

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  • Original Artwork (One Of A Kind) Painting, Acrylic on Linen Canvas
  • Dimensions Height 70.9in, Width 50in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Paintings under $20,000 Abstract Abstract
"Womens Hairstring Ceremony" Painted by Makinti in 2008 Acrylic on Belgian linen Full Certificate of Authenticity Art gallery quality - Highly Collectible - Best provenance Ten images of Makinti creating the work The lines that are found throughout her artworks relate to the hair string ceremonial[...]
"Womens Hairstring Ceremony"
Painted by Makinti in 2008
Acrylic on Belgian linen
Full Certificate of Authenticity
Art gallery quality - Highly Collectible - Best provenance
Ten images of Makinti creating the work

The lines that are found throughout her artworks relate to the hair string ceremonial skirts that women would wear during Pintupi ceremonies. Songs and dances are performed and these are also represented in her artworks through repetitive clusters of lines.

Size
180 cms by 127 cms
70.9 inches by 50 inches

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Makinti Napanangardi

Artist represented by Australian Contemporary Art
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Makinti Napanangka (c.1930-2011) was considered as one of Australia's most influential and talented Aboriginal artists, making a significant mark in the post-Emily Kame Kngwarreye[...]

Makinti Napanangka (c.1930-2011) was considered as one of Australia's most influential and talented Aboriginal artists, making a significant mark in the post-Emily Kame Kngwarreye era. Leading up to her passing, she held the distinguished title of Australia's most collectable living Aboriginal artist. Hailing from the Pintupi language group in Central Australia, Makinti's artistic journey unfolded against the rich backdrop of her cultural heritage.

Makinti's foray into the art world began in 1996 when she started painting for Papunya Tula Artists. However, her familiarity with acrylic paints and canvas had roots in the earlier Kintore and Haasts Bluff art project in 1993/1994. This artistic legacy extended to her children, Ginger, Narrabri (who sadly passed away in 2010), and Jacqueline, all of whom embarked on artistic careers with Papunya Tula Artists. Makinti's career gained momentum in the mid-1990s as interest in her work grew, and her distinctive style evolved.

Her art is characterized by a spontaneous approach, offering a unique perspective on traditional Pintupi iconography. While her paintings may appear abstract, with vibrant interplays of colors like yellow, orange, and white, adorned with circles and lines, they remain deeply rooted in her Dreaming of Kungka Kutjarra (Two Women). The lines, a recurring motif in her artworks, symbolize the hair string ceremonial skirts worn by women during Pintupi ceremonies. Makinti masterfully translated songs and dances into her art, creating repetitive clusters of lines that resonated with cultural significance.

Makinti Napanangka's impact extended beyond her unique artistic expression, earning her a place in some of Australia's most significant public art collections. Participating in numerous exhibitions since the inception of her career, she garnered recognition as one of the top 50 most collectable Aboriginal Artists of all time. Her excellence in the art world was further affirmed by her consistent presence in the National Aboriginal and Torres Strait Islander Art Award, Australia's most prestigious art prize. In 2008, Makinti achieved the pinnacle of success by being named the overall winner of this esteemed award. 

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