Makinti Napanangka
Makinti Napanangka (c.1930-2011) was considered as one of Australia's most influential and talented Aboriginal artists, making a significant mark in the post-Emily Kame Kngwarreye era. Leading up to her passing, she held the distinguished title of Australia's most collectable living Aboriginal artist. Hailing from the Pintupi language group in Central Australia, Makinti's artistic journey unfolded against the rich backdrop of her cultural heritage.
Makinti's foray into the art world began in 1996 when she started painting for Papunya Tula Artists. However, her familiarity with acrylic paints and canvas had roots in the earlier Kintore and Haasts Bluff art project in 1993/1994. This artistic legacy extended to her children, Ginger, Narrabri (who sadly passed away in 2010), and Jacqueline, all of whom embarked on artistic careers with Papunya Tula Artists. Makinti's career gained momentum in the mid-1990s as interest in her work grew, and her distinctive style evolved.
Her art is characterized by a spontaneous approach, offering a unique perspective on traditional Pintupi iconography. While her paintings may appear abstract, with vibrant interplays of colors like yellow, orange, and white, adorned with circles and lines, they remain deeply rooted in her Dreaming of Kungka Kutjarra (Two Women). The lines, a recurring motif in her artworks, symbolize the hair string ceremonial skirts worn by women during Pintupi ceremonies. Makinti masterfully translated songs and dances into her art, creating repetitive clusters of lines that resonated with cultural significance.
Makinti Napanangka's impact extended beyond her unique artistic expression, earning her a place in some of Australia's most significant public art collections. Participating in numerous exhibitions since the inception of her career, she garnered recognition as one of the top 50 most collectable Aboriginal Artists of all time. Her excellence in the art world was further affirmed by her consistent presence in the National Aboriginal and Torres Strait Islander Art Award, Australia's most prestigious art prize. In 2008, Makinti achieved the pinnacle of success by being named the overall winner of this esteemed award.
Discover contemporary artworks by Makinti Napanangka, browse recent artworks and buy online. Categories: contemporary australian artists. Artistic domains: Painting. Artist represented by Australian Contemporary Art. Account type: Artist , member since 2020 (Country of origin Australia). Buy Makinti Napanangka's latest works on ArtMajeur: Discover great art by contemporary artist Makinti Napanangka. Browse artworks, buy original art or high end prints.
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Biography
Makinti Napanangka (c.1930-2011) was considered as one of Australia's most influential and talented Aboriginal artists, making a significant mark in the post-Emily Kame Kngwarreye era. Leading up to her passing, she held the distinguished title of Australia's most collectable living Aboriginal artist. Hailing from the Pintupi language group in Central Australia, Makinti's artistic journey unfolded against the rich backdrop of her cultural heritage.
Makinti's foray into the art world began in 1996 when she started painting for Papunya Tula Artists. However, her familiarity with acrylic paints and canvas had roots in the earlier Kintore and Haasts Bluff art project in 1993/1994. This artistic legacy extended to her children, Ginger, Narrabri (who sadly passed away in 2010), and Jacqueline, all of whom embarked on artistic careers with Papunya Tula Artists. Makinti's career gained momentum in the mid-1990s as interest in her work grew, and her distinctive style evolved.
Her art is characterized by a spontaneous approach, offering a unique perspective on traditional Pintupi iconography. While her paintings may appear abstract, with vibrant interplays of colors like yellow, orange, and white, adorned with circles and lines, they remain deeply rooted in her Dreaming of Kungka Kutjarra (Two Women). The lines, a recurring motif in her artworks, symbolize the hair string ceremonial skirts worn by women during Pintupi ceremonies. Makinti masterfully translated songs and dances into her art, creating repetitive clusters of lines that resonated with cultural significance.
Makinti Napanangka's impact extended beyond her unique artistic expression, earning her a place in some of Australia's most significant public art collections. Participating in numerous exhibitions since the inception of her career, she garnered recognition as one of the top 50 most collectable Aboriginal Artists of all time. Her excellence in the art world was further affirmed by her consistent presence in the National Aboriginal and Torres Strait Islander Art Award, Australia's most prestigious art prize. In 2008, Makinti achieved the pinnacle of success by being named the overall winner of this esteemed award.
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Nationality:
AUSTRALIA
- Date of birth : unknown date
- Artistic domains: Represented by a Gallery,
- Groups: Contemporary Australian Artists Artists presented by a gallery

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Steve Martin's paintings by Makinti exhibited at Gagosin Gallery in New York
MARCH 07, 2023 GAGOSIAN QUARTERLY TALKS "DESERT PAINTERS OF AUSTRALIA" WITH ACTOR STEVE MARTIN
Ten acclaimed Indigenous Australian desert painters have just been exhibited in a major gallery in New York City and all but one of the artworks come from the personal collection of Hollywood actor Steve Martin. The prestigious Gagosian Gallery centres on the work of Western Desert artists.
Works by acclaimed painters Warlimpirrnga Tjapaltjarri, Yukultji Napangati, Ronnie Tjampitjinpa, Makinti Napanangka, Naata Nungurrayi, Willy Tjungurrayi and George Tjungurrayi are included in the exhibition at Madison Avenue’s Gagosian, which is at the forefront of the global commercial art market.
The world's most influential art dealer, Larry Gagosian, will show the paintings in his Madison Avenue gallery and it could be a game-changer for the Indigenous art sector. Martin is a dedicated art collector. He's curated exhibitions and has been collecting art by trailblazers like Andy Warhol, Edward Hopper and David Hockney for more than four decades.
Four years ago, he read a New York Times article about an exhibition of Western Desert painter Warlimpirrnga Tjapaltjarri's artworks on display in New York and by the end of that day he'd acquired one for his home.
"I'd truly never seen anything like it before. I still have it hanging in the house," Martin said in an exclusive interview with the ABC.
"I didn't realise it was part of a movement, a group, and then later I started seeing Indigenous pictures.
"People would tweet them and I got really interested in it and I just started searching and thought I really should wise up about this."
Martin's exploration of Indigenous art led him to acquire pictures by other Western Desert painters.