Prague. Vltava Embankment (2020) Painting by Liubov Samoilova

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What a beautiful city of Prague! Sometimes I try on the cities I want to live in If you fantasize! There are two cities I have seen that would suit me in many ways. These are Barcelona and Prague. But more likely is Prague. I will not surprise anyone, probably, if I say that Prague is a large museum of the architecture of many eras[...]
What a beautiful city of Prague!
Sometimes I try on the cities I want to live in If you fantasize! There are two cities I have seen that would suit me in many ways. These are Barcelona and Prague.
But more likely is Prague.
I will not surprise anyone, probably, if I say that Prague is a large museum of the architecture of many eras and styles.
And I love architecture, as well as painting.

Here on this small pastel, I depicted a beautiful part of Prague.
These buildings are in the foreground with half-timbered houses.
They are wonderful. Like everything functional.
These beautiful corners of Prague are not as "seen" as the Charles Bridge, the Town Hall with Old Town Square's famous clock.

I painted and remembered how my husband and I went to this city, with greed absorbed these beauties. How many emotions, impressions!
How many photos we take!
Unfortunately, we lost some of the photos from the computer. And irretrievably.
It's so good that drawing and painting appeared before photography and the computer!

And I was able to convey my joy of travelling in my sketches.
This painting is sold, but I am ready to repeat it at your request. Write me!

Related themes

CityscapePaysage UrbainRed RooftopsPrague LandscapePaysage Prague

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My love of art was formed at an early age. My father amassed a good collection of art cards and albums. From the age of 5 I was introduced to artists such as Degas, Rembrandt, Renoir, Levitan and many others. My[...]

My love of art was formed at an early age. My father amassed a good collection of art cards and albums. From the age of 5 I was introduced to artists such as Degas, Rembrandt, Renoir, Levitan and many others.

My family was convinced that I had an aptitude for the exact sciences (it was in fact true), so I did not develop my artistic inclinations.

After school I entered a technical college. At the institute, as an elective in descriptive geometry we were taught the basics of drawing and composition. These seminars were conducted by a talented Chelyabinsk architect.

These seminars fascinated me, I learned how to convey the volume of simple objects.

I went to the Chelyabinsk Art School at a mature age, on a paid course for adults.

I started oil painting not long ago, when I retired.  I had the time to do something that has fascinated me since I was a child. But I didn't have the opportunity.

Oil painting has opened up new horizons for me. And now I paint occasionally in acrylics and pastels. Pastel is my second favorite medium after oil.

There are many styles in painting, but I have two that I can't choose between. And I do not want to.

I love the nature of our Ural. But the sea and mountains also attract me. Recently I started painting seascapes. But not too realistically, I fantasize a bit.

Before the pandemic, I travelled not only to Russia but also to other countries.  Every impression, every memory, at least in a small piece, is fused into my paintings.

I love Impressionism and Realism. I often don't know which to prefer.  That's why my paintings don't follow one style clearly. Sometimes I start painting in a strictly realistic manner, but then suddenly I have a dab hand in my hand and I forget about realism.

However, most of my landscapes are impressionistic and my still life paintings are realistic. I don't know why this happens.  I think my intuition knows better where to lead me in painting.

In September 2021 my personal exhibition "Mosaic of Impressions" was held in the showroom of Chelyabinsk Regional Court Museum.  

Before that I placed the works on the Russian and foreign Internet resources, including English online gallery ARTFINDER.        

Some of my paintings are in private collections in Russia, the United States, Britain and Israel.         

 

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