Epines (2018) Painting by Karnakiev

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Sold by Karnakiev

One of a kind
Artwork signed by the artist
Certificate of Authenticity included
Mounted on Wood Stretcher frame
This artwork appears in 2 collections
  • Original Artwork (One Of A Kind) Painting, Acrylic on Canvas
  • Dimensions Height 31.5in, Width 23.6in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Paintings under $500 Illustration
Oeuvre unique ! Portrait de femme transpercée par des ronces. Couleurs, songes, rêve ou cauchemar ? La nature est-elle un danger ? La nature humaine l'est-elle davantage ? Epines qui transpercent le visage, peau trouée, portrait surréaliste de femme blessée, prisonnière des ronces, en couleur.
Oeuvre unique ! Portrait de femme transpercée par des ronces. Couleurs, songes, rêve ou cauchemar ? La nature est-elle un danger ? La nature humaine l'est-elle davantage ? Epines qui transpercent le visage, peau trouée, portrait surréaliste de femme blessée, prisonnière des ronces, en couleur.

Related themes

FemmeTranspercéeÉpinesRoncesArbres

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Born on October 8, 1977 in the Paris region, I have always spent my free time drawing. Then I started adding paint to my drawings, until that day in 1999 when I bought my first canvas and my first tubes of[...]

Born on October 8, 1977 in the Paris region, I have always spent my free time drawing. Then I started adding paint to my drawings, until that day in 1999 when I bought my first canvas and my first tubes of oil paint. 

First under my real identity then under my pseudonym "Karnakiev" I chained the exhibitions and started to make myself known by word of mouth.  This is how I started to work also on commission and decided to dedicate myself to art 100%: Oil painting, acrylic, pastels, Indian ink, music, sculpture, computer graphics , video editing, murals, book illustrations, photography, writing, currently a comic strip in the works...

Self-taught, I have of my own volition refused to submit to any "formatting "by entering the Beaux-Arts which I consider too academic. The rules and the limits, for me, are contrary to the own of the artist. 

My first paintings were rather sad, almost sinister, I evolved towards works much more accessible and left for some years expressing my "inner demons" in a parallel project, under the pseudonym "Eingeweide", where I explore a very particular, dark and organic art, in which I constantly push the limits of "acceptability" for the common people deadly.

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