Cloud Messengers (2008) Painting by Linton Vedrene

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Sold by Linton Vedrene

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Sold by Linton Vedrene

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  • Original Artwork Painting, Oil
  • Dimensions Height 36in, Width 48in
  • Categories Paintings under $5,000 Abstract
Oil pastel on gallery wrap canvas About this artwork: Classification, Techniques & Styles Oil Paint consisting of pigments bound with linseed oil or carnations.[...]
Oil pastel on gallery wrap canvas

Related themes

Desert Landscapre Cubic-Realism Angular Oil Pastel Clouds

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Linton Vedrene’s planar landscapes arrest the focus of passers-by, and will reward the attention of new as well as veteran collectors. “His paintings reflect the purity and raw color of the American desert”,[...]

Linton Vedrene’s planar landscapes arrest the focus of passers-by, and will reward the attention of new as well as veteran collectors. “His paintings reflect the purity and raw color of the American desert”, that is how David Heywood, curator at Neleh gallery, contributing art writer to N’Digo newspaper and a seasoned collector, reacts to the work of self-taught artist Linton Vedrene.
Linton Vedrene is an artist living in the Chicago land area. While Vedrene has created culinary art throughout most of his adult life as a professional chef, it was not until 2000, while helping a friend execute a large scale mural that he began to give proper time and weight to his own efforts in the visual arts. He studied for a brief time under the tutelage of area artist Dalton Brown.
In a fairly short period of time, Vedrene has been establishing himself as a painter who is serious about conveying the beauty and power of the southwestern United States. By working primarily in a fairly underused media and using a style that employs strong visual language, Vedrene has recast both land and sky in a mold that is both monumental and unforgettable. At the core of his work is the power of memory and its transmutation into myth as he draws on the serenity and mystery of road trips across the American countryside.
“The creative process for me is definitely tied to memory because I am constantly pursuing feelings that I had at very specific places that I have been. I remember the first time that a saw a dust devil…looking out over a mesa on the Navajo/Hopi reservation…all that movement, violence even, with no sound to be heard. The isolation that I felt! A lot of my works focus on what memory of a place will become given distance and time. How will something feel/look through the lens of what we recall?”

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